Old Enough to Forget

Two Worlds came out in 1985 and the '80s had a sound, and by gum this was it. The flat splat of the drums, crisp guitars and gang vocals and sparkly keyboard parts. Body Electric was one of those bands who never really got out of the starting blocks. I remember seeing a poster for the band's debut on the wall at Little Mountain Sound. It was a cool cover, but all I knew was it was Frank Ludwig's new band, and as talented as Frank was, I never really got into his stuff. When "Do You Think They Can Tell" got some minor airplay in Vancouver I thought it was pretty cool, but it was the ballad "Don't Look Back" that clicked with me. That was an awesome song. So I picked up the E.P. and with only 5 songs, it was really all killer no filler. The album was produced by Bill Henderson and it sounded like a continuation of his '84 release Look In, Look Out . The album felt like a taster of things to come, except there wasn't anything else. This was a ...

I meant to pull out my copy of Hot Shots , but as I had recently found a couple of Trooper albums I'd not heard (which outside of their greatest hits album was pretty much everything in their catalogue) I figured why not put on something that was new to me.  It was either Money Talks , or Flying Colors , as there were a couple of songs I remembered from Flying Colors , so Flying Colors it was. Aren't you glad you get to get a little peek into my decision making process? I've not heard the album so it's the deeper tracks here I'm curious about, particularly the Frank Ludwig compositions. Frank had the unenviable position of being a decent writer and a good singer in a band where Ra was a great singer, and the songwriting team of Ra McGuire and Brian Smith were the backbone of the band. This I'm sure was a pretty sore spot, and it's not especially helpful or sporting for me to sit here and stir up the embers of what is now pretty ancient history. When Frank...