Old Enough to Forget

My earliest memories of hearing songs from  The White Album  is probably from 1972. I remember this because my older cousins wanted to hear "Smoke on the Water" and I wanted to hear "Rocky Raccoon" and I was outvoted. My Aunt and Uncle seemed to have the coolest music from Alice Cooper to The Doobie Brothers. The Beatles had broken up years earlier and none of my friends listened to them.  The Beatles were music for an older generation. Me and the other kids I knew were all over what was on the current top 40 and we'd argue in class about whether CKLG or CFUN was the best station. I'd give a passive listen once in a while to a country station (ick) if my Uncle was on the radio over at CJJC and I have one vague memory of us sitting around waiting for him to play "Kiss an Angel Good Morning" for my Aunt. Regardless, they had an eight track copy of The White Album , and if the stars aligned I could get them to play it. I finally got a copy for myself ...

I'll admit I'm sort of a sucker for this era of soft rock. It likely explains why I'm such a big fan of Christopher Cross ... no I am not kidding. Before Mister Cross though there were others - one of whom was Stephen Bishop. A year earlier he had contributed a couple of songs to Art Garfunkel's 1975 album Breakaway , and this helped him secure a record deal. Careless would feature some of the best players of the '70s: Andrew Gold, Jay Graydon, Larry Carlton and Eric Clapton played guitar, Russ Kunkel and Jim Gordon among others on drums, and Chaka Khan who was also on ABC records appeared as a backing vocalist on a couple of track. Art Garfunkel also appeared on a few tracks. For a debut this is pretty awesome. Stephen co-produced the album with Henry Lewy who also engineered the album. Lewy was no stranger to great sounding albums which included  Mitchell's Blue and Neil Young's Harvest . The album opens with Stephen Bishop's biggest hit - or at least ...

Money and Cigarettes , Eric Clapton's 1983 album is one of those neither fish nor fowl releases. As a kid Eric Clapton was one of those has beens who was a big deal in the late '60s and early '70s but his output through the rest of the decade to me was spotty. I actively disliked "I Shot the Sheriff" and thought "Cocaine" was stupid. I couldn't see the appeal to "Wonderful Tonight" although my buddy Gord loved it and it was his wedding song. I'm probably just strengthening the argument that I'm just an unwashed Luddite who has no idea which end of a telephone pole goes in the ground. I suppose I should have just said I wasn't really a fan of a lot of Eric's solo work and left it at that.  So why buy this at all? I found it for a buck, and I may not have been much of a fan, but come on - it's Eric Clapton and whether I'm a fan or not the guy is a legend. Besides I'll admit to really liking his late career resurgen...

Blind Faith released one album in 1969 bringing together the talents of Eric Clapton, Steve Winwood, Ginger Baker and Rick Grech. This album was infamous when I was a kid because it had a topless young girl holding what looked like a chrome airplane. The photograph by Bob Seidemann was titled "Blind Faith" and it would end up being the name of the band and the album. I never knew there was an alternate cover until I found this one in the dollar bin. I have to admit the cover had seen better days, but the lyric insert was still inside the jacket and the album itself ended up cleaning up quite nicely. All in all a win win. Now I was just a wee lad when this came out, so my introduction to some of the songs would come many years later on radio when they'd have their '60s themed lunch hours, or the occasional oldie would crop up on rock radio. The song that seemed to get the most play was "Can't Find My Way Home" which is a brilliant song written by Steve Wi...

Here we go this month's Stylus Over Substance Volume 15. Good lord, if each volume contains five little incomprehensible blurbs, that means this year I've gacked out seventy five of these little literary turds. Man, I'm kind of proud of myself. I suppose I've gotten a little lazier with this, mainly because after a couple of years I've realized that Blogger is probably the worst platform I could have chosen. Few of my pages get indexed, and essentially I am doing this for an audience of one most of the time. Me.  Which is honestly okay, I do this for me because I enjoy it, and every so often something I write makes me giggle or smile. Which is good enough. Besides, this is all part of intentionally listening to the music I have. It may not always be good, or great, but it's always an adventure and I often have no idea where I'm going until I get there. With that here's another five carefully curated random selections. Jefferson Starship - Modern Times (...

I have a soft spot for this album. Back in '84 I got this solely based on "Love Will Show Us How" A mini master class in pop perfection. When I lost my records, I replaced this with a CD, and then recently for whatever reason a near perfect record showed up in the dollar bin - so I had to drop the buck.  I know this is probably not the popular opinion, but of the solo efforts from the Fleetwood Mac camp this is the album I like best. Oh sure Lindsey Buckingham released Go Insane in '84 as well, and I really liked the title track, and I appreciated how weird he got, but it wasn't something I pulled out very often - and of course I no longer have it (you never know, that could change one day). Then there was the witchy woman herself, Stevie Nicks, who I will admit had some great songs, but mostly I found her voice irritating. So here we have Christine who must have figured it was time to do a solo effort as well - and no doubt this cost a boatload of money to produc...