Old Enough to Forget

Digging through the pile and sorting the odds and ends up for grabs turned out to be a mixed bags of nuts. There were some here I'd not had a chance to sit with all the way through, and a others that were old friends I hadn't spent time with and it was time to catch up. Split Enz - Waiata (1981) A Flock of Seagulls - The Story of a Young Heart (1984)  Red Rider - Neruda (1983) The Moody Blues - The Other Side of Life (1986) Gordon Lightfoot - Don Quixote (1972) Split Enz - Waiata (1981) Right off the bat let's give credit where credit is due here. "One Step Ahead" is an absolutely killer track. I'd go so far as to say it's the centrepiece of the album. A close second is "History Never Repeats" another composition by Neil. Now I am fully aware that I never had this back in the day so sitting here listening four decades later is hardly fair. The lens I'm looking through is not the same as the one I had when I was a teenager. The songs on Wai...

I'm still digging myself out from the pile of records in the basement. Not that I mind, but my goodness there's a lot of stuff to go through, and frankly I don't want to short myself on anything so I'm still trying to spend time with them before putting them away. Oh, some will stay put for a long time I suspect, but there are always hidden gems and treasures among the old things that are new to me, A mixed bag this time of the familiar and not so much. The Who - Face Dances (1981) Rick Springfield - Hard to Hold (1984) Gino Vannelli - Brother to Brother (1978) Red Rider - Breaking Curfew (1984) Doucette - Coming Up Roses (1981) The Who - Face Dances (1981) This would be the band's first album after the death of drummer Keith Moon. Sitting on the throne behind the kit was Kenny Jones, who had been a member of The Small Faces. The album was produced by Bill Szymczyk and yielded the classic, "You Better You Bet" that helped pull the album to platinum s...

Red Rider seemed to come out of nowhere in 1980 with their song "White Hot." It was a wicked bit of rock magic that felt like something new. A big part of the sound was found in Ken Greer who added his string wizardry to the mix much like the late David Lindley complimented Jackson Browne. Ken's use of lap steel as a rock vehicle was pretty brilliant. When the band dropped their follow up in '81 I remember picking it up before anything had started to catch on the radio. "Lunatic Fringe" melted a lot of faces, and it's kind of hard to underscore how big a deal the song was to so many people. The song was a rock anthem that didn't sound like anything else out there. In short, this one song was worth the price of admission. Did I mention Ken Greer's solo? Excuse me while put my face back on. The rest of the album felt somewhat anti-climactic, but by no means was it a waste of time. It was still very firmly rooted in the '70s and while the '8...