Old Enough to Forget

When Burton Cummings left The Guess Who and embarked on a solo career, he caught his second wind. Through the mid '70s to the end of the decade, he was huge at home. He went on a double-platinum run starting with his self-titled album in ’76 and hit triple platinum with Dream of a Child in ’78. I always assumed he was Canada’s unofficial troubadour. He also seemed to have more specials on CBC than Wayne and Shuster (just kidding - no one had more specials than those guys), and he hosted the Juno Awards in 1979 and 1980 when he was at the height of his popularity. Me? I could take him or leave him. He was a hell of a singer and all that, but he was also really cheesy at times. Though I really liked “My Own Way to Rock,” mainly because the guitar solo was so good. Considering my limited budget as a teenager, I never felt the urge to spend my money on his stuff. The one album I found a while back that is pretty much essential listening was his 1980 two-record collection, The Best of ...

I meant to pull out my copy of Hot Shots , but as I had recently found a couple of Trooper albums I'd not heard (which outside of their greatest hits album was pretty much everything in their catalogue), I figured why not put on something that was new to me. It was either Money Talks or Flying Colors , as there were a couple of songs I remembered from Flying Colors , so Flying Colors it was. Aren't you glad you get to get a little peek into my decision-making process? I've not heard the album, so it's the deeper tracks here I'm curious about, particularly the Frank Ludwig compositions. Frank had the unenviable position of being a decent writer and a good singer in a band where Ra was a great singer, and the songwriting team of Ra McGuire and Brian Smith were the backbone of the band. This I'm sure was a pretty sore spot, and it's not especially helpful or sporting for me to sit here and stir up the embers of what is now pretty ancient history. When Frank wa...