Old Enough to Forget

Journey released Frontiers in '83 and the band was messing around with their winning recipe. The band had always been good, but the addition of Jonathan Cain, who took over keyboards from Gregg Rolie after 1980's Departure  gave the band an extra gear. Jonathan co-wrote all of the songs on Frontiers except for "Faithfully" which he brought to the band. Heck he was all over Escape too, but that's another story. You can read it here if you want ... or not. The band had gone diamond with Escape , a nearly impossible feat to replicate and I'm sure there was more than a little tension in the studio as they cut the tracks. I know that Journey was supposed to be Neal's band (according to Neal), and in many ways it is, but when Steve Perry arrived it was Neal and Steve, and then with Jonathan he became the third leg of the milking stool. I'm not dismissing Ross or the other Steve. Those guys were integral to the band's sound ... right up to when they weren...

On the Edge would be the last album by The Babys and their second to be released in 1980. John Waite would go on to a hit and miss solo career, and Jonathan Cain would join Journey. This was the album I liked best when I was a kid. I hadn't heard Union Jacks, so to me this was as good as the band got. The album opens with "Turn and Walk Away" that must have been a bigger hit in Canada as I'm sure I heard it on the radio. However, in the US it stalled outside the top 40. Too bad it didn't click, it's a hell of a song. This was the band's fifth record, and the band seemed to finally know what it wanted to be. The songs were cohesive and they were good. Sure, they were rooted in '70s rock, but the band seemed to be looking to the future.  The album was produced by Keith Olsen who was pretty busy during the '70s and '80s. There aren't many albums with his name on the jacket that I haven't enjoyed.  I wish I knew what the deal is with band...

Union Jacks fell in between the trio of albums I had by the band back in the day. My buddy Andew who I'd jam with back in high school introduced me to some cool bands, notably Harlequin because he made me learn the guitar parts (as a fifteen year old I thought I got pretty close) to "You are the Light" and then we were farting around one afternoon and he was playing the lead riff to "Head First" by a band called The Babys. I thought it was really cool. It was probably not long after I picked up the album, and then when they dropped I'd snag Union Jacks and the band's last album On the Edge that came out in the fall of 1980. It's been a while since I've listened to The Babys and it's a bit weird listening now. Jonathan Cain would join Journey and John Waite would manage to carve out a pretty decent solo career. Then in the late '80s while Journey was in limbo Jonathan Cain, John Waite and Ricky Phillips would team up with Neil Schon and...

When Escape came out in the summer of 1981 Journey went from being big to HUGE. I first heard the band back in the summer of '78 when I was stuck in a forestry camp for the summer and one of the other kids had a copy of Infinity among his collection of summer tunes. I loved "Wheel in the Sky" even though the opening riff seemed to be an unabashed rip off of "Layla" and nobody seemed to mind or care.  The band would follow up a year later with Evolution and then in 1980 Departure contained "Any Way You Want It" which was also featured in Caddyshack. That to me was pure ear candy. How could the bad ever top this? Escape would be the band's seventh album in as many years and would be the band's crowning achievement. Everything seemed to be in place for Journey, REO Speedwagon the year before had seemingly paved the way with their Hi Infidelity album and people were ready for what Journey was about to bring to the table. No, I'm not sleeping...