Old Enough to Forget

I couldn't help myself. This was three bucks and looked to be in decent shape. Nothing a little bath wouldn't clean up. A few weeks ago I had a hankering for Crystal Ball and it was on repeat in the truck for several days. This was around the same time I'd spent a few days spinning Equinox , the last album to feature the original line-up. Crystal Ball was one hell of a transition album as it was the one that introduced Tommy Shaw into the mix. His impact was huge and immediate; it still sounded like Styx, but more better. In the summer of 1977 Styx returned with The Grand Illusion and the band was a cohesive unit where everything fit together. The album opens with the title track and this just felt different. Dennis and Tommy were both front and centre, with "JY" offering up the blistering riff monster that anchored "Miss America" to start side two. This was the start of the big run for the band, and while there are some killers on Pieces of Eight an...

Equinox is by far the best album Styx released - by the original line up that is. It was the final record to feature John Curulewski before his departure ushered in the band's next phase with Tommy Shaw. When I started working my way backward through Styx’s catalogue, I always wondered what happened to John. On those early albums, I really enjoyed the guitar interplay between James Young and John (note, I know the drummer was John too, but when I say John I mean John the guitar guy). In fact, I found myself liking a few songs—especially the ones John sang—on the band’s second 1973 release, The Serpent Is Rising . If I’m being honest, my favourite was actually the hidden track, “Don’t Sit Down on the Plexiglas Toilet,” which Curulewski wrote. Apparently, the band hated The Serpent Is Rising , calling it one of the worst albums ever made. Ouch. I guess they forgot to listen to Man of Miracles . Anyway, back to Equinox and why it was such a great album. After four records on the sma...

Styx was hands down one of my favourite bands as a kid. They were a strange band, even back then. They were a hard rock band, almost progressive at times, who had a penchant for sucky ballads. I know there's a tendency for people to zero in on "Babe" as the song that killed the band's credibility. The roots go way back to almost the beginning when Styx released "Lady" on their second album. It showed a side to the band that needed to be kept in check, and for the most part the band kept things on a pretty tight leash. The band had been setting a gruelling pace, releasing an album a year (two in 1972) and by the time they released Paradise Theater (if I end up writing theatre later it's because that's how we spell it here) in 1981 they'd dropped ten albums in less than a decade. I snapped this up as soon as I saw it, and it became a fixture on my turntable. Like the band had announced on "Borrowed Time" from 1979's Cornerstone , ...

Lucky number seven. A bit of an odd assortment this time out. Mostly familiar faces, and some odd ducks I had no idea what to do with because I've written about the bands before, but the albums were still part of my landscape, so I figured why not put them in anyway? So here they are for your reading enjoyment. Don't forget to like and subscribe, and ring the bell to get updates. ... yeah, that just reads as desperate. I'm just glad you're here. Fun drinking game for you - take a shot every time you find a typo or grammatical error.  Five For Fighting No. 7 SAGA - Wildest Dreams (1987) Ian Thomas Band - Still Here (1978)  Styx - Kilroy Was Here (1983) Juice Newton - Quiet Lies (1982) ABBA - ABBA (1975) SAGA - Wildest Dreams (1987) After Behaviour in 1985, the band's trajectory would take a turn. For some fans, particularly those who'd been on the bandwagon the longest, the next couple of albums would represent the nadir of the band, but to me this felt like ...

Styx is one of my favourite bands ever ... if I was to tick off on my left hand my top bands it would often run something like April Wine, PRISM, Styx, Toto and Cheap Trick. Depending on where I was on the curve, some of them would change, but Styx was pretty constant. I often forget SAGA, and when I remember I just add them to my list and pretend I have more fingers. It's a bit blurry now what I got first - I'm thinking it was the blue vinyl Best of Styx , a compilation of songs for their Wooden Nickel albums. It was a treasure to me, and when I lost it I was pretty bummed out. I've been looking for another copy. In my junior high school the band room had a great stereo and we were allowed to listen to records when on break. I remember hearing Styx's Grand Illusion , and later Pieces of Eight , there. I also remember someone bringing in a John Travolta record and having to sit through Razzamatazz - let's just say it didn't have the same positive impact the Styx...

Continuing my trip through 1978, here's Prism's second album, See Forever Eyes . I remember going with my cousin to a hole-in-the-wall record store to pick up an 8-track copy he'd special ordered. Yeah, it was like that once upon a time in smaller towns and suburbs. Like any good Canadian kid, I thought "Spaceship Superstar" was as close to a perfect song as there ever was. Here was the follow-up, and I was finally going to hear more than one song. After ejecting the ever-present Double Live Gonzo! from the truck's player, this one got a fair amount of play over the summer, and I liked what I heard - especially the rockers where Lindsay tore it up. The early Prism albums were driven as much by the interplay between guitar and keyboards as they were by Ron Tabak's soaring vocals - a pattern some of my favourite bands employ, much to my delight (Saga, I'm looking at you). When the album launches into "Flyin'," arguably one of its best track...