Old Enough to Forget

I'll admit I'm sort of a sucker for this era of soft rock. It likely explains why I'm such a big fan of Christopher Cross ... no I am not kidding. Before Mister Cross though there were others - one of whom was Stephen Bishop. A year earlier he had contributed a couple of songs to Art Garfunkel's 1975 album Breakaway , and this helped him secure a record deal. Careless would feature some of the best players of the '70s: Andrew Gold, Jay Graydon, Larry Carlton and Eric Clapton played guitar, Russ Kunkel and Jim Gordon among others on drums, and Chaka Khan who was also on ABC records appeared as a backing vocalist on a couple of track. Art Garfunkel also appeared on a few tracks. For a debut this is pretty awesome. Stephen co-produced the album with Henry Lewy who also engineered the album. Lewy was no stranger to great sounding albums which included  Mitchell's Blue and Neil Young's Harvest . The album opens with Stephen Bishop's biggest hit - or at least ...

Linda Ronstadt has been one of those wonderful discoveries over the last few years. Get Closer came out in '82 and after her brief foray into new wave that featured a few Elvis Costello songs on her previous album Mad Love she was back to being Linda Ronstadt, and all was right with the world.  Times they were a changin' and Linda was content being herself and she was enough of a presence now that she could be herself and that was enough. For me at the time, Linda Ronstadt was about as far off my radar as you could get. Other than the few songs I knew from the radio she wasn't relevant to me ... at all. It may not have just been me me either, as Get Closer would mark her first album in almost a decade that wouldn't crack the top 5. The album would go gold in the US which is still a pretty solid accomplishment, but she had reached the summit, and no one stays on top forever. Anyway you can read that kind of stuff on Wikipedia, I know I did.  It's about the music, ...

Red Rider seemed to come out of nowhere in 1980 with their song "White Hot." It was a wicked bit of rock magic that felt like something new. A big part of the sound was found in Ken Greer who added his string wizardry to the mix much like the late David Lindley complimented Jackson Browne. Ken's use of lap steel as a rock vehicle was pretty brilliant. When the band dropped their follow up in '81 I remember picking it up before anything had started to catch on the radio. "Lunatic Fringe" melted a lot of faces, and it's kind of hard to underscore how big a deal the song was to so many people. The song was a rock anthem that didn't sound like anything else out there. In short, this one song was worth the price of admission. Did I mention Ken Greer's solo? Excuse me while put my face back on. The rest of the album felt somewhat anti-climactic, but by no means was it a waste of time. It was still very firmly rooted in the '70s and while the '8...

Like an awful lot of people I know Juice Newton from "Angel of the Morning" and it was a catchy song, and bow howdy I do like bells in popular music.Then "Queen of Hearts" was all over the radio. I will admit I like the song a fair too but buying the album never even crossed my mind. Ever. With the passage of time I learned my girlfriend, now my wife, had her '81 album Juice and she was partial to the big songs. So when I found an excellent copy of her Greatest Hits I was pretty stoked and her response wasn't as enthusiastic, but to be fair I think her reaction was due in part to the other dozen or so records in the pile of stuff I'd proudly brought home. To me I felt like a king bearing gifts, to her I was a cat who'd just dropped another dead mouse on the carpet. I'm always perplexed when labels interchangeably market best of collections as greatest hits. I know for sure there were hits on this album, a couple of really big ones, and maybe the...

I have a soft spot for this album. Back in '84 I got this solely based on "Love Will Show Us How" A mini master class in pop perfection. When I lost my records, I replaced this with a CD, and then recently for whatever reason a near perfect record showed up in the dollar bin - so I had to drop the buck.  I know this is probably not the popular opinion, but of the solo efforts from the Fleetwood Mac camp this is the album I like best. Oh sure Lindsey Buckingham released Go Insane in '84 as well, and I really liked the title track, and I appreciated how weird he got, but it wasn't something I pulled out very often - and of course I no longer have it (you never know, that could change one day). Then there was the witchy woman herself, Stevie Nicks, who I will admit had some great songs, but mostly I found her voice irritating. So here we have Christine who must have figured it was time to do a solo effort as well - and no doubt this cost a boatload of money to produc...

My wife grew up with her parent's copy of Simple Dreams (which is now part of my collection) so why choose Mad Love for my rambling thoughts? Simple. I wanted to, and it seemed like a good idea. Besides, over this past year I have managed to find an astonishing number of her albums in the dollar bin, and it has been an absolute joy listening to them for the first time and discovering an artist I knew only from the killer guitar solo from "You're no Good" - from there it led to me getting albums by Andrew Gold and Karla Bonoff. It's weird looking back now and realizing that in 1980 Linda was still only in her early 30s and had been releasing albums for over a decade. A decade in kid years from a developmental perspective is kind of like measuring things in dog years. In other words when she released Mad Love she had been around FOR-EVVVVVER. Of course looking at it now, it was a blink of an eye. When I saw this one in the bin I scanned the back cover, which had s...

Over the last year I've been on a Linda Ronstadt kick. I managed to find several of her albums in the dollar bin that were in fantastic shape, and from there it led to a couple albums by Andrew Gold, and today the bins coughed up Karla Bonoff's 1977 debut. Karla contributed to Linda's release Hasten Down the Wind the year before, as a songwriter and providing backing vocals to two of the three tracks she'd written for the album.  The album itself was in decent shape, the jacket was okay, but sadly there was no insert so who knows what may or may not have been on the liner, but the back cover had a lot of information which I always appreciate. This was an album I was looking forward to hearing as I'd never heard the album or anything by Karla that I can remember, and I wasn't sure what to expect (I had some idea but you never know. There are a lot of great writers that need good singers. J ennifer Warnes comes to mind, who was great with Leonard Cohen songs, any...