Old Enough to Forget

"Short People" was the first song I'd heard by Randy Newman when I was a kid. It was also one of those songs far too many people took at face value based on the title, who didn't even bother to listen to the song. I still remember the tempest in a tea cup and even then it was perplexing. Dang, even Billy Barty wasn't very happy about the song.  I know there were a lot of people who seemed to pride themselves on not listening to the lyrics of a song as a way of defending themselves when listening to "questionable" music. At least that was a defence a lot of "Christian" kids used to defend listening to secular music. The ability to be tone deaf and easily offended isn't something new ... The problem with satire is to some folks it's just truth wrapped in humour as a way of sending in a Trojan horse filled with hate and bigotry. Randy Newman's affinity for first person narratives that cut deep can be a little on the nose, and with ...

Back in 1993 when Denis Leary was teaching kids how to spell asshole, he also had a bit where he was lamenting how screwed up and upside down the world had become on his track "More Drugs." Judas Priest on trial "because my kid bought the record, and listened to the lyrics, and he got into Satan." Well, that's great! That sets a legal precedent. Does that mean I can sue Dan Fogelberg for making me into a pussy in the mid-70's? Is that possible, huh?  I have to admit I did laugh at the time, because let's face it, songs like "Longer" and "Leader of the Band" were pretty syrupy. They made the most maudlin songs by Jim Croce and Harry Chapin (okay it was really only "Cats in the Cradle" but let me have it). Dan was a heck of a player make no mistake, and despite how sucky those songs were, they were also really good. Did I have any of his records ... hell no. My girlfriend at the time did have The Innocent Age , and we'd si...

But Seriously Folks , released back in '78 was Joe's first solo album in a few years, and although I didn't know it at the time it was a pretty typical Joe Walsh record. ... that says nothing and makes no sense. Bear with me, I'm going to see what I can do with that and hopefully redeem myself. I have a pretty good idea what I meant. I'm just waiting for my coffee to kick in. Joe Walsh had been building his solo career after leaving The James Gang (I still remember going to the drive in theatre with my uncle Lloyd and my cousins where we saw Zachariah (if you know, you know) and The Holy Grail in a double feature. I'd see both movies more than once, and of those two I'd see one way more times than I should admit). While his first solo record Barnstorm did okay, it was his next two albums, The Smoker You Drink, the Player You Get and So What that would go gold. Joe was setting to be a pretty significant solo artist.  Then he joined the Eagles and put his so...

Don Felder is a hell of a guitar player, and a passable singer when he stayed in his lane. By 1983 Mr. Henley and Mr. Frey were getting some traction with their solo careers, and Joe Walsh was doing his thing and seemed to be chugging along to his own little drummer (although things weren't as chipper as they appeared but that's another story, and one I frankly am not qualified to tell), so it seemed like it was Don's turn to try out a solo album. A couple years earlier Don Felder had provided the killer title track to the Heavy Metal soundtrack, and a year after that contributed "Never Surrender" to Fast Times at Ridgemont High and it was a decent song - I was eager to hear more from him. In 1983 he released Airborne and I ate it up. I thought this was an awesome record. The album opens with "Bad Girls" which always felt a bit like a reworked "Life in the Fast Lane" but I didn't care - it's a song I still really like. Vocally, Don ...

Of all their albums, this is probably the one I return to most often. A lot of the appeal is nostalgia, but also time and place. That, and I happen to really like this one. I was too young to fully appreciate Hotel California when it came out - I loved the title track, but I didn't get the album until many years later. When The Long Run finally dropped in the fall of 1979 the music I was listening to then was part of my most formative years, and this was fitted right in with a lot of my other favourite artists. New technology was starting to emerge as well, and the drum machine hand clap on "Heartache Tonight" was considered cutting edge. I heard a radio interview where Don Henley was explaining the drum sound and how they were going to replicate that in concert. Considering their last studio album, not counting the Christmas single, was a couple of years earlier it was an eternity between albums - and when they finally did get together to record the follow up to Hotel ...

By 1983 I was already a huge fan of Joe Walsh. He was the court jester who also managed to be the king of his castle. I knew he was an Eagle, and he and Don Felder were the wonder twins thanks to "Hotel California" but what sealed it for me was his 1979 contribution to The Warriors soundtrack "In the City" a song that hit me in the feels, and to this day is one of my desert island songs. The Eagles version was okay too, but didn't have the same kick in the happy sack as the original. Fast forward to the spring of 1983 and Joe Walsh released You Bought It - You Name It , which to me is one of his best releases - ever. As much as I like his other stuff when I go to a Joe Walsh album it's this one. Go figure. I guess I was primed for this one given that one of my favourite songs from the Fast Times at Ridgemont High (the same records that introduced me to Oingo Boingo) soundtrack was his throwaway track "Waffle Stomp." When I lost most of my records ...