Old Enough to Forget

Breakdown in Paradise  was aptly titled. When the band signed to Mushroom records, the little label that signed Heart and put out their first two records (although they'd later write "Barracuda" as a diss track to their former label) their next two records Dreams, Dreams, Dreams and Lights in the Valley would go platinum in Canada. Then in '79 Mushroom Records head Shelly Siegel died and the label started to flounder, and Chilliwack kept plugging away hoping for the best. When the album finally dropped in December of 1979 the label no longer seemed to be capable of marketing or pushing singles to radio. There must have been some word of mouth no doubt as I remember the album and I liked "Communication Breakdown" and always thought it was a hit. There were enough copies printed that it's not a hard album to find. Who knows how many copies, maybe the record keeping sucked and the album actually did better than what was reported on the charts. Regardless, t...

Two Worlds came out in 1985 and the '80s had a sound, and by gum this was it. The flat splat of the drums, crisp guitars and gang vocals and sparkly keyboard parts. Body Electric was one of those bands who never really got out of the starting blocks. I remember seeing a poster for the band's debut on the wall at Little Mountain Sound. It was a cool cover, but all I knew was it was Frank Ludwig's new band, and as talented as Frank was, I never really got into his stuff. When "Do You Think They Can Tell" got some minor airplay in Vancouver I thought it was pretty cool, but it was the ballad "Don't Look Back" that clicked with me. That was an awesome song. So I picked up the E.P. and with only 5 songs, it was really all killer no filler. The album was produced by Bill Henderson and it sounded like a continuation of his '84 release Look In, Look Out . The album felt like a taster of things to come, except there wasn't anything else. This was a ...

Here was chugging along into August, and I have to admit that my self imposed schedule of cranking out two of these a month may have been a tad ambitious. It's likely I'll take a step back and go to once a month. I mean, I'm spending a lot of time jotting down my meandering thoughts that frankly for the most part are just on this side of being coherent ... I'll let you pick a side. Still, I've been grinding my way through my pile of records. Up for grabs this time out are another gaggle of odds and sods and repeat offenders. Let's get right to it ... are you seated comfortably? Chilliwack – Look In, Look Out (1984) Neil Diamond - Love At The Greek: Recorded Live At The Greek Theatre (1977) Pete Townshend - All the Best Cowboys Have Chinese Eyes (1982) Loverboy - Wildside (1987) T Bone Burnett - The Talking Animals (1988) Chilliwack – Look In, Look Out (1984) At the time this felt like a reset for the perennial Canadian stallwarts who'd been cranking ou...

Opus X was a pretty big deal here in Canada when this came out in '82. While Chilliwack had been around for over a decade and was Bill Henderson's band oddly it was as a power trio that the band had it's greatest commercial success. Starting with Wanna Be a Star in 1981 that featured that most irritating and oddly really cool "My Girl (Gone, Gone, Gone)" the band had hoped to capitalize and really break into the lucrative US market. The single would crack the Billboard top 40 peaking at number 22. Opus X a year later was suppose to drive the wedge in even further.  You know what they say about the best laid plans of mice and men. I could tell you more about the rabbits, but I really should try and stay on topic. While the lead single "Whatcha Gonna Do" did really well here at home, it didn't perform as well as hoped in the US market, stalling literally just outside the top 40 at 41. The album was a big hit here, selling over 100,000 copies, and Bi...

Back in '82 Headpins sounded a bit (a lot) like an aggressive offshoot of the band Chilliwack. Chilliwack had been around a long time - but really seemed to take things to another level as a trio comprised of Bill Henderson, Brian MacLeod and Ab Bryant. This line-up was at the top of their game. Brian's blistering guitar added a swagger to the band's sound, most notably on Wanna Be a Star and Opus X that was also released in '82. Whereas Chilliwack was very much Bill Henderson's band, Headpins were the manifestation of Brain "Too Loud" MacLeod. It was his band, although on the album the only credit listed is for Darby Mills as vocalist. Who knows how all this came about. Maybe Brian felt the need to stretch out a little more, so he started Headpins as a side gig to unleash his hard rock side. To that end he eventually discovered a young Darby Mills who would handle the vocals, and the band dropped Turn it Loud in 1982. It was an album that got people'...

Funny how you can know a name but not know anything about the artist. Shari Ulrich is one of those artists who just skirted on the fringes of real success here in Canada. That sort of reads as a dismissive shot, but it's not. Many years ago I was a camp counsellor for a couple of summers and one of my fellow "shapers of future minds" was Rick Scott's son who was incredibly funny and we had a hoot over those two summer camps. Anyway I can't remember how it came up that he was Rick's son, most likely because I fancied myself a songwriter who could song about food and animals ... yeah, whatever you're conjuring in your mind's eye it's even worse. Why am I telling you this? I have no idea, but it's one of those things that came to mind when I was sitting here listening to One Step Ahead . Regardless, Shari was a member of the Pied Pumpkin that was apparently a biggish deal in the early '70s, and then she, along with Valdy, was a member of  The ...

The other day the Jim Foster popped into my head, I hadn't thought of him in well over thirty years. Who knows what brought that up. At least it wasn't "Pop Muzik" by M - then I'd have never gotten it out of my head. "X-ray Eyes" was a catchy song, and because of that one song I bought Power Lines when it came out in 1986. It got played it a few times, and I put the hit on my mix tapes, and honestly other than the one song didn't remember much about Jim Foster. I do remember that "X-ray Eyes" got airplay on the radio station just across the border, which I thought was cool. That meant it was a real hit, not just a CANCON obligation. I don't remember the video but I did watch it on YouTube and I still really liked the song. I was browsing through my other favourite record store when I found a sealed copy of Power Lines for under six bucks. It was remaindered cutout, but my goodness, how could I pass this up? I didn't, and I was pre...