Old Enough to Forget

Here was chugging along into August, and I have to admit that my self imposed schedule of cranking out two of these a month may have been a tad ambitious. It's likely I'll take a step back and go to once a month. I mean, I'm spending a lot of time jotting down my meandering thoughts that frankly for the most part are just on this side of being coherent ... I'll let you pick a side. Still, I've been grinding my way through my pile of records. Up for grabs this time out are another gaggle of odds and sods and repeat offenders. Let's get right to it ... are you seated comfortably? Chilliwack – Look In, Look Out (1984) Neil Diamond - Love At The Greek: Recorded Live At The Greek Theatre (1977) Pete Townshend - All the Best Cowboys Have Chinese Eyes (1982) Loverboy - Wildside (1987) T Bone Burnett - The Talking Animals (1988) Chilliwack – Look In, Look Out (1984) At the time this felt like a reset for the perennial Canadian stallwarts who'd been cranking ou...

The future had arrived in 1980 and it was dragging the dinosaurs into the light. Suddenly Pete Townshend was standing in the open, looking around like he meant to be there. Perhaps he did. I mean, as a kid I wasn't unaware of who he was. Who he was. Ha, that's good one. I kill myself. Bottom line though, he was old. Woodstock old. That was old. So it was weird to hear and see so much of Pete Townshend at the beginning of the '80s when there were new sounds and new artists that were demanding attention. Okay, when I say so much, it wasn't as much as you'd think but the songs that were generating what seemed like constant rotation was probably over in the space of a couple of months. As a teenager time and physics don't work as closely as they do when you get older. Time is malleable, and those summer months where I first heard "Let My Love Open the Door" were magical times. Full of late nights by the lake, sleeping in a cabin, working in the bush with ...

I'm still digging myself out from the pile of records in the basement. Not that I mind, but my goodness there's a lot of stuff to go through, and frankly I don't want to short myself on anything so I'm still trying to spend time with them before putting them away. Oh, some will stay put for a long time I suspect, but there are always hidden gems and treasures among the old things that are new to me, A mixed bag this time of the familiar and not so much. The Who - Face Dances (1981) Rick Springfield - Hard to Hold (1984) Gino Vannelli - Brother to Brother (1978) Red Rider - Breaking Curfew (1984) Doucette - Coming Up Roses (1981) The Who - Face Dances (1981) This would be the band's first album after the death of drummer Keith Moon. Sitting on the throne behind the kit was Kenny Jones, who had been a member of The Small Faces. The album was produced by Bill Szymczyk and yielded the classic, "You Better You Bet" that helped pull the album to platinum s...

This was actually the album that turned me into a Roger Daltry fan. In '85 when this came out Roger was 41 and out to prove that he could still rock with the kids. While the album may not have been a huge commercial success, it certainly seemed like a big deal in my house.  My buddy Otto had the cassette copy of the album that contained the bonus track "Love Me Like You Do" which was an incredible song, and it was too bad it didn't make the cut for the album. There was a time, thankfully a short time, that record labels were trying to push cassette sales and a number of artists from Phil Collins to Flock of Seagulls included bonus tracks on their tape releases, and later this translated to CDs where extended versions and bonus tracks weren't restricted to 22 and a 1/2 minutes a side. Roger's voice was his instrument, and boy howdy he let it loose. Speaking of voices, I remember being really excited to see Mark Williamson's name listed as the backing singer...

I first heard of T-Bone Burnett when he was with the Alpha Band with Steven Soles, and David Mansfield. I had a friend who had one of their albums, I can't remember which one as I only heard it once, but it was quirky and caught my interest. Then I bought a copy of his 1982 E.P. Trap Door and pretty much played it to death. I loved the fact that he was self effacing enough to make a joke about his passing resemblance to Eric Idle. The office where I worked used to have copies of People magazine I like to read - for the record reviews, and in one issue there was an article where Mariel Hemingway said her favourite album was T-Bone Burnett's Proof Through the Night . Well, I wasn't sold because of her endorsement, I was sold because I'd just realized there was a new T-Bone Burnett album. I remember talking about this with my girlfriend at the time who absolutely loved The Who, and The Monkees (she had great taste in music) and she casually mentions that she saw T-Bone ope...

It's not often a classic pops up in the dollar bin. The last surprise that was this big was Tattoo You by the Stones, and that album was in amazing shape including the insert. Part of me wasn't to concerned so long as the big songs were playable. Besides I have the 2003 deluxe edition and that is almost two and a half hours of stuff - much of it I've maybe heard once while it played in the background. Yeah, sad. Anyway here was the 1980 MCA re-issue (at first this confused me as I thought this was an old record - I mean it is old, but older than the date suggested), and someone must have been having a bad day and dragged the needle across the first side. I could feel it with my finger nail so I figured best case was a repeating pop for a few songs. Thankfully "Baba O'Riley" was fairly clean, and frankly on the first side that's all that mattered to me. The songs still sound pretty fresh and while still being very much of their time. When I think of some o...