Old Enough to Forget

Hold Out came after a three year hiatus, and it would set the pattern for his releases through the '80s. After the success of Running on Empty it seemed like an eternity between records but his audience was waiting patiently and Hold Out would become his lone number one album on the Billboard charts. The album didn't do as well here in Canada but it would crack the top ten stalling at number six. This was the album I came to a few years later when my friend Steve couldn't stop heaping praise on the record. At the time I was enjoying Lawyers in Love and I did like the songs I'd heard on the radio. Over the years I've had this album on vinyl, then CD and now again on vinyl. Why get it again? It was on sale ... and I'm a sucker ... and despite some pithy comments to come, I really liked this album. It's always fun going back and reading up on things that are decades old and discovering the vitriol some artists are blessed with from the various critics. Jackso...

Running on Empty is an album I associate with the early '80s, even though it came out in December of 1977. "Running on Empty" was the big song, and boy oh boy it had legs. Reading up on this one it was up for a couple of Grammy Awards in 1979. One for album of the year , and another for male vocal performance for "Running on Empty" which was pretty cool. As a record, Running on Empty was a bit of odd duck when it comes to live albums. Rather than the usual best of approach with crowd noise, Jackson Browne took a hard left at Albuquerque and road tested and recorded new songs. There were live songs, rehearsal songs, songs on a bus (which is really good, you can hear the bus), songs in a hotel room, and songs recorded backstage. He recorded it all over, everything recorded was part of the touring experience. Jackson Browne assembled a band featuring the best of the best. Russ Kunkel on drums, Leland Sklar on bass, Danny Kortchmar on guitar, and the incredible D...

For most of us Warren Zevon generally conjures up one song, "Werewolves of London" and that's about as far as it goes. That particular song was one I was very dismissive of back in the day. To me it was a hatchet job that borrowed too much from "Sweet Home Alabama" and tried too hard to be clever. Yeah, fifteen year old me was a pretty harsh critic. I will begrudgingly admit that over the years the song certainly had it's charms, and Warren's unusual voice and writing is oddly engaging. In the mid '80s my old roommate had the record, and I remember playing it quite a few times and I really enjoyed a number of the songs, particularly "Roland The Headless Thompson Gunner" and "Lawyers, Guns And Money" as well as the title track, which was about as dark and twisted as songs come. With the passage of time I'd more or less forget the album, and when Kid Rock's oddly goofy and somehow catchy sampling of bits and pieces of "...

1983 was a great year for music. Of course there were other great years - lots and lots of them, especially the ones during my formative years. The early '80s though was something special. Jackson Browne was someone who had quite a few songs I liked but it wasn't until he released Lawyers in Love that I decided to put some cash on the table (The Fast Tmes soundtrack doesn't count). There was something hilariously goofy and awesome about the title track and it didn't matter where I was (or am, as I discovered when the song came on) if the song came on I had to wait patiently for my cue to sing along. Last night I watched the news from Washington, the capitol (that would be me) The Russians escaped while we weren't watching them, like Russians will (still me, but with gusto) The Tarzan falsetto is still out of my range, but there are times I still give it a shot. The dog doesn't like it. Anyway, the song is still one of those guilty pleasures, but this album got...