Old Enough to Forget

Continuing my trip through 1978, here's Prism's second album, See Forever Eyes . I remember going with my cousin to a hole-in-the-wall record store to pick up an 8-track copy he'd special ordered. Yeah, it was like that once upon a time in smaller towns and suburbs. Like any good Canadian kid, I thought "Spaceship Superstar" was as close to a perfect song as there ever was. Here was the follow-up, and I was finally going to hear more than one song. After ejecting the ever-present Double Live Gonzo! from the truck's player, this one got a fair amount of play over the summer, and I liked what I heard - especially the rockers where Lindsay tore it up. The early Prism albums were driven as much by the interplay between guitar and keyboards as they were by Ron Tabak's soaring vocals - a pattern some of my favourite bands employ, much to my delight (Saga, I'm looking at you). When the album launches into "Flyin'," arguably one of its best track...

1978 was probably one of the more formative years for me musically. At the time I didn't really think much about it, but looking back, holy cow and boy howdy, it was a banner year. It was the year "Baker Street" made the saxophone sexy, and the guitar solo in that song still makes me smile. It was also the year my cousin introduced me to Ted Nugent through his incendiary Double Live Gonzo and Prism's sophomore album, See Forever Eyes . The number of bands I waited patiently to hear on the radio or at a friend's house was just mind-boggling. I started making a list of the bands and songs I could hardly wait to hear, but it got so long that it just looked silly. It's a great list. I didn't have much in the way of vinyl, so it was up to friends and spotty AM radio to supply my favourite songs. One of the coolest songs from my youth was "Action." And no, it wasn't by The Sweet (although that's an awesome song, and I did actually own the 45 a...