Boy in the Box was huge. To say otherwise is silly. Corey Hart to me was a bit of an enigma. He was a poster boy which meant he had no credibility, and was right up there with Platinum Blonde (another band I begrudgingly liked when no one was looking). Fields of Fire was Corey Hart's third album and people were expecting big things ... and others were waiting for him to fall flat on his face. I can't imagine the pressure he must have been under. He was still in his early '20s and was already a seasoned artist by 1986. For a pretty poster boy Corey Hart was the real deal, writing his own material and co-producing his own albums. The songs on Fields of Fire seem to pick up where he left off with Boy in the Box. There was a consistency to the songs that made them feel familiar, but it never felt like he was just flogging a dead horse and recycling himself. The band was again comprised of Russell Boswell on bass, Gary Breit on keys, Andy Hamilton on saxophone, the incredibl...
A place where I just blather on about shit that I either miss, or am excited about. Or I could just be deliberately trying to waste your time. I generally really don't know what I'm talking about. Sometimes I do. Sometimes this is like a stream of consciousness brain dump. I like to think of it as a reaction video, without the video ... mostly though it's just me rambling ... it's meanderambling. #oldenoughtoforget