Old Enough to Forget

My goodness how time flies. Corey Hart may be best known for his breakthrough hit “Sunglasses at Night,” but up here in Canada this young man went on a tear, releasing one great album after another. As the ‘80s came to a close his commercial momentum started to wane, someone forgot to tell me - I kept picking up his stuff right through to Jade in 1998. I can’t believe this record came out in 1983. That makes it over forty friggin’ years old. I've written about a couple of his other albums but it was fun going back to the beginning, there was something about this album that just worked. Here was a guy who was all of 21 when it came out, writing all the words and music himself. And somehow he even managed to get Eric Clapton to play dobro on “Jenny Fey.” Goodness, how bloody cool is that? Cool. It was just cool. I don’t think the folks at Aquarius Records had any idea what they had when they first released First Offense . The album started to break, and even a non-album single, “Lamp...

As a kid I most vividly remember Steely Dan as an inconvenience on the radio. There was a special place in hell reserved for "Rikki Don't Lose That Number" a song that would pop up at the most inconvenient times ... like when I was listening to the radio. Whatever they were was not rock and roll - how did this weird stuff even count as music? The only other song that bugged me more as a kid was "Midnight at the Oasis" by Maria Muldaur. They both seemed to be on at the same time, although that's probably not right but it's how I remember it. As I got older I begrudgingly started to give Steely Dan their due. I was learning to reconcile how these nerdy jazz guys were welcomed with open arms into the fraternity of rock and roll. It was because they were so good. Yes, even "Rikki Don't Lose That Number" started to get under my skin ... Maria, not so much. Steely Dan records were technical marvels, they sounded almost perfect. The best musicians...

When TOTO released their massive All in In 1978 - 2018 anthology it was as a record and CD collection, and at the time I didn't want the records, but boy oh boy was I interested in getting the remastered discs. Elliot Scheiner by all accounts had worked his magic and the much maligned Turn Back in particular was supposed to sound amazing. I remember following on the band's site and there were questions about when and if the CDs would be offered as a standalone ... Short answer: Yes, and in May of 2019 I picked up the set, and when it arrived it was a good day. The box set included a bunch of stuff like Live in Tokyo 1980 as well as XX and Old is New which were all included in the box set. Of course I now have serious buyers remorse in not getting the records as I'd love to have Kingdom of Desire and Tambu on vinyl ... even though I have the original CD releases and the remastered CDs. I was scrolling on line and saw Old is New on sale and snapped it up. Which is sort o...

The first time I heard "Owner of a Lonely Heart" on the radio, I was smitten. "What in the heck was that?" It was one of those HOLY SHIT songs that seemed to come out of nowhere. KISM from Bellingham had a strong enough signal to reach over into the suburbs where I lived. The song quickly worked it's way into heavy rotation, but I don't remember hearing it on the two big stations in Vancouver. It took me a while to find the record after first hearing the song. There was a record store across the street from where I worked and I looked for this new Yes album, and all I found where the old Yes records, nothing new. Of course this only happened once, and I'm sure this was all compressed into the span of a couple of weeks, if that. Soon the song along with the bleeding edge orchestral blasts that were unlike anything I'd heard before was everywhere. This was Yes? Yes. Of course there was no internet back in the day, just word of mouth and the burgeon...

Spoons were never a band that was on my radar back in the day. I knew who they were, "Nova Heart" was a pretty great song, but there were a lot of great songs that never made it into my collection. Talkback  was produced by Nile Rodgers. Bowie's Let's Dance  was the other project Mr. Rodgers produced in '83. Oddly enough Nile passed over Culture Club who were hotter than something that was really hot to produce Talkback by Spoons. You'd have thunk that this would have helped secure Spoons a decent distribution deal ... but nope. Talkback would only see the light of day in Canada. Good for us I guess, bad for them and everyone else. Like the band's previous album Arias & Symphonies , Talkback would go gold in Canada, but the band's subsequent releases wouldn't fare so well. The big single was "Old Emotion" which is a song I sort of like and am sort of irritated by. The whammy bar dives never worked for me. It's not like Gordon Depp...

One of the first songs I learned on guitar was "Tush" and to this day it's one of my favourite songs to play. I still remember the first time I heard "Tube Snake Boogie" at a youth group dance ... the irony isn't lost on me, and it was so good. We yelled for it to be played again so we could sing along with the part where he's singing about the sister. Good times. When '83 rolled around videos were suddenly a thing, and boy howdy ZZ Top managed to marry cool with the blues, big beards, cool cars and chicks. Boom. Suddenly the band was more than that little ol' band from Texas. With Eliminator,  ZZ Top's eighth album, the band was propelled into the heart of the mainstream. They may have had several gold and a platinum album under their collective belts but as with all things, there are levels, and holy moly Eliminator was a whole 'nother level for the band.  The album had legs (how could I not?) and for a couple of years the band was r...

In 1983 David Bowie ruled the world. After years of flirting with mainstream success, he was suddenly the flavour of the day. It was the latest strange turn from one of rocks most durable and creative voices.  I'll also freely admit I was not a fan. At all . Not at first. To me he was the guy who did "Space Oddity" and that song weirded me out as a kid. I didn't like it, and thought it sounded terrible. It didn't help that when I was in my teens there was a young Bowie singing a duet with Bing Crosby on a Christmas Special where he mashed up some ridiculous counterpoint "The Little Drummer Boy." I hated it. Ick, phooey. Somehow I'd gotten it into my head that Bowie was unlistenable. He was a dinosaur who kept desperately throwing whatever he could against the wall trying to make anything stick to make so that  his 15 minutes would last a little longer. It didn't matter that there were quite a few of his classic songs that were pretty amazing. I h...

I was farting around meanderbrowsing (it's a real thing) through one of the record stores I occasionally shop. It's a treasure trove of stuff, but can be a tad overwhelming and while not disorganized it's all over the place. I've found more than a few awesome nuggets and the proprietor is an odd duck, at times in the best way, and other times it's overwhelming when I just want to quietly browse. However, he's a treasure trove of knowledge and his ability to retain an astounding amount of absolutely useless trivia makes me look like a moron. Something I can honestly do all on my own without help - but that's beside the point. Generally when I'm there I have a specific item I've got a hankering to find. Chances are pretty decent he has it, or knows about it. This is also the same guy that put me onto Hair Cut One Hundred (better than I expected), and the Karroll Brothers - which was a wicked score. We've also lamented poor Jim Clench's bad luck...

Before I put the record on I figured I'd jot down what I remembered from the album. It's been a long time since I've given this a proper listen. First thing to disclose is I am still a big SAGA fan after all these years. Back in 1989 when GNP dropped I bought it right away because both Steve Negus (drums), and Jim Gilmour (keyboards) were involved - they were the G &N in GNP. The video for "How Many Times" actually got quite a lot of play on YTV Rocks - that was hosted at the time by Laurie Hibberd and they even had an interview with Steve who talked about the album. I don't remember much about the interview, but he seemed pretty happy and there were high hopes the album would do well. I did like the single, and I had high hopes for the album too. As much as I wanted to like the album, as a whole it never really seemed to gel for me. In addition to "How Many Times" I made an effort to like "Safety Zone" as I put it on a few mix tapes. T...

If memory serves I heard "Wide World" on the radio once or twice ... but when I saw the video for "Slow Train" on MuchMusic that was it (the video wasn't really that good, but the song was). Who were these guys? What was it about this song with the strange riff and the moody vibe that was so infectious? The album was produced by Tom Treumuth who was also A&R for RCA and was instrumental in signing The Breit Brothers, and by all accounts Bob Buziak the president of RCA was behind the band as well. I know that's an assumption on my part, but he is given a special thank you on the back cover. To top it off the album was mastered by Bob Ludwig, which usually gives an album a little extra shine. The band was comprised of three brothers, vocalist and keyboard player Gary, whose name I knew from Corey Hart, Kevin on guitar, Garth on drums and Ian de Souza on bass. The album was full of finely crafted pop songs and it's still a bit of a mystery wrapped in...

Bruce Cockburn is an artists' artist. One whose conviction and seriousness seem overwhelming and to be honest a little intimidating. He always seemed like a guy who had a sense of humour but kept it in a shoe box one the shelf in his closet lest he use it and undermine his own sense of purpose. As a teenager my first exposure to him was when he hit it big with "Wondering Where the Lions Are" a song that is intricately structured. I saw him perform the song on Saturday Night Live, and I remember thinking, "Wow, he's on T.V." followed closely by "Man, I can't stand that song." It was true, it was right up there as a tweofer along with Gordon Lightfoot's "The Wreck of the Edmund Fitzgerald" as songs I could appreciate the grandeur and scope of, but couldn't stand. Then there'd be other songs, and for whatever reason I never forgot his appearance on The Alan Hamel Show (that later devolved into The Alan Thicke Show, and would ...

Eddie Schwartz to me will always be the guy who just killed it, absolutely crushed it with "Special Girl" a song that still makes the little hairs on the back of my neck stand up. The band America also released a version of the song in 1984 and while it's musically a pretty close cover, the vocals don't get anywhere close to conveying the emotional gut punch Eddie delivers. Meat Loaf would also cover the song on his 1986 album Blind Before I Stop , and honestly it's not bad but again, seemed to miss the mark. This was also the album where Meat Loaf butchered Billy Rankin's "Burning Down" which was a weird cover that completely missed the point of the original. I'm actually getting a bit ahead of myself, and while "Special Girl" is the song I most closely associate with Mr. Schwartz, it was part of an album that really deserved more recognition than it received. I do remember hearing "Strike" on the radio a couple of times. ...