The other day I'm bin rummaging and there in between the ever present badly scratched Rod Stewart albums (I think people do it on purpose) was a decent looking copy of Berlin's Love Life. "Ooooh." I said to myself. I took out the vinyl, and it was just dusty and covered in finger prints but otherwise looked salvageable. The insert was there too which was a nice surprise.
I'd buy that for a dollar.
The other thing was this was on Geffen, and while people either love or have David Geffen I have to admit that the hit to miss ratio for his label was pretty impressive, just based on that alone I'd have picked it up.Musically this is really strong. All the way through there isn't a dud or a misfire. One of the reasons I think this still holds up so well was the choice to use real musicians. Real bass, real guitar, real drums (oh, I'm sure there was some programming in there, but it's not the Simmons sound that was cool until it wasn't). A lot of the stuff around the same time suffers now from a lack of any organic tension. Having solid songs helps too. It really should have been huge. If they'd been bigger the albatross song from Top Gun wouldn't have been seen as a one off and the band wouldn't have had to hold it's breath waiting for another hit.
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