Skip to main content

Graeme Williamson - Because You Were There

Today I'm taking a break from my vinyl reminiscing and writing about Graeme Williamson's wonderful and breathtakingly beautiful posthumous release Because You Were There.

Those who know me, know that one of my favourite records ever is Pukka Orchestra's debut album. For whatever reason that album is indelibly ingrained in my musical DNA.

I remember Neil Chapman (Pukka alumni, and fret wizard) mentioning in passing through one of our infrequent exchanges he was working on fleshing out some demos and recordings Graeme had made before his passing in 2020.

Then the other day I received a digital copy of the album, complete with a comprehensive booklet (something sorely missing from the majority of releases, and sadly when I looked for it on iTunes it wasn't part of the download, hopefully that can be fixed). They say you can't go home again, but hearing Graeme's distinctive voice was like a homecoming of sorts.

There's still a bite to his lyrics but the angry young man evolved into an introspective and wizened old soul who seemed to appreciate the value of life and wanted to draw attention to both beauty and injustice. I think he sums it up best in the song "Promised Land"

Many the road that I've been down
Many the river I have found
Many the wonderful thing fell in my hand
So don't talk to me about being free
If you won't make what you want to be
Then, man, you'll never live to see the Promised Land

I have no idea what condition the bed tracks were in when Neil started working on the album. Graeme's widow says in the notes, "Most of this music was originally recorded, solo, at home in Glasgow. Now his friend and longtime colleague, Neil Chapman, has added his magic to the tracks. Graeme would have loved that." I couldn't agree more.

Because You Were There reminds me of Gerry Rafferty's Rest in Blue. A decade after his passing the album he was working on was stripped down to his vocals, and the music re-recorded to hearken back to his earlier work. It's a great album, and an almost perfect farewell to one of my favourite artists. Similarly here, Graeme's voice is front and centre, and on the full band songs the music really is magic.

There's a small part of me that wishes Tony Duggan-Smith was here somewhere just to have the band back together - even if it was through studio wizardry. That's merely the fan boy in me. Who knows the logistics behind how things work, and frankly is none of my business. I will say it was really cool seeing bass player Ian de Souza's name in the credits. I've been a fan since I first heard "SlowTrain" by The Breit Bros.

Because You Were There is really two albums: One where the songs are fully fleshed out, and another that is very intimate, often just guitar and vocal. I cannot imagine the challenge in sequencing the songs, do you separate them into the two categories which would likely draw focus to the "band" songs, and relegate the more intimate songs to a "bonus" track category? Or do you weave them throughout the album having the songs ebb and flow stylistically. It is the latter approach that is taken. Having listened to the album a few times through that was the right call. It enhances the ethereal quality to many of the songs and adds to the overall listening experience. As if to highlight the ebb and flow throughout the album is the sound of the ocean. Waves rolling it ,waves rolling out.

This really isn't an ordinary release, rather this is an attempt to document a legacy and not merely release record. Sometimes you want more, and an artist will tease you saying there's more, or things yet to come. There isn't any more. 

As Graeme writes in the song "Evershall" 

This world’s too big for just one lifetime
I’ve been here for years and I don’t know nothin'
Don’t know nothin'

There are some great tracks on this album, and is a wonderful epitaph to an artist many didn't get a chance to hear. Here's your chance. 

Band Camp

If you were a fan of the Pukka Orchestra this is a must have.

Credits: Pictures are from the digital booklet for Because You Were There.

 
 

Comments

Popular posts from this blog

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure.  I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTOs Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) who knows maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust - it seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight ahead pop, or rock. It was leaning to the progressive, but with a pop bent. Oddly enough the vocals reminded me of Mi

Hoodoo Gurus - Mars Needs Guitars!

The first time I got this album it was a gift from my old roommate Otto. For a goofy little nebbish he would occasionally surprise me with some left of field musical treasures. Although, I still think he was reaching a little when he brought home the new "Led Zeppelin" album by Kingdom Come and forced me to listen to "Get it On" over and over again.  I'd not listened to Mars Needs Guitars in a long, long, long time. The first thing that I jumped out at me was how David Faulkner's vocals reminded me of his fellow countryman Peter Garrett from Midnight Oil. I think the reason this never occurred to me was at the time I didn't have any Midnight Oil until Diesel and Dust in 1987. I'm not saying it was all the time, but there were a couple of songs where it stood out. Not a bad thing, just a thing. Even at the time this felt slightly out of step with what was going on in 1985. It seemed like everyone was using drum machines and synthesizers and having t

Saturday Night Fever - The Original Movie Soundtrack

It was going to happen sooner or later. Nostalgia is a cruel Mistress...she can dull the sharpest edges and over time can even soften the hardest of opinions. I found this in the dollar bin, and frankly at a dollar I was worried about what this would cost me. Not only from a monetary perspective, but my time, and more important my credibility. Fourteen year old me was screaming "Don't you dare. DON'T DO IT! Put it down. Walk away!" Then there was grey bearded me holding it and looking at it, thinking, "How bad could it be? I actually kind of like "Staying Alive" and me buying this record won't bring disco back, and no one will have to know I bought this." I pulled the album out of the bin, and carefully took out the records. They'd seen better days, and there were a couple of decent scratches that would no doubt make their presence known later. The jacket was in decent condition, and both of the albums had the original sleeves. I dusted the