Skip to main content

Level 42 - World Machine

World Machine, for most casual fans and Luddites, is as deep into the Level 42 catalogue as you need to go. The band's sixth album (yeah, they had been around a while honing their craft) was released in 1985, and most of us would have had a hard time getting rid of the earworm "Something About You" once it started gaining traction on the radio and television - back when videos were a thing.

There was never any denying the musicianship of the band, and Mark King's bass playing was often cited as extraordinary. The band balanced their pop, jazz, and funk elements and created something pretty cool. Even a rock guy had to tip his hat and admit it was good stuff.

Now, of course, this was 1985, and while I did begrudgingly like the song - sort of in the same way I liked "The Captain of Her Heart" by Double - I wasn't about to go out and buy the album. I was, after all, a ROCK GUY.

Of course, over the years my appreciation for "Something About You" only grew. When I found the album in a clearance bin for a couple of bucks, I really didn't hesitate.

The cover was always funny to me. I'm not sure it was a subtle "you're about to get screwed" message, but if it was, then it was misleading, because the album is really solid - all the way through. I'm not sure if the cover to Counterparts by Rush was a nod to World Machine, but it's pretty uncanny how similar they are.

Then again, maybe not. One of them has a gear, one doesn't - they're very different.

The album didn't bury the lead, as it comes first cut, first side. Right out of the gate, they put their best foot forward. I had my fingers crossed that it wasn't going to be a hit-and-shit record.

I've gone through the first side three times now, but it's really just four songs, and the other three are quite nice. As a listening experience, it's quite enjoyable. I suppose I'll have to get up and turn it over.

Yeah, more of the same.

I still find it really great that this period of the '80s was so vibrant in terms of the blending of genres that could find a home in popular music.

Sadly, Boon Gould, the band's guitar player and brother of drummer Phil, took his own life in 2019 after struggling with mental illness.


Comments

Popular posts from this blog

Styx - Paradise Theater

Styx was hands down one of my favourite bands as a kid. They were a strange band, even back then. They were a hard rock band, almost progressive at times, who had a penchant for sucky ballads. I know there's a tendency for people to zero in on "Babe" as the song that killed the band's credibility. The roots go way back to almost the beginning when Styx released "Lady" on their second album. It showed a side to the band that needed to be kept in check, and for the most part the band kept things on a pretty tight leash. The band had been setting a gruelling pace, releasing an album a year (two in 1972) and by the time they released Paradise Theater (if I end up writing theatre later it's because that's how we spell it here) in 1981 they'd dropped ten albums in less than a decade. I snapped this up as soon as I saw it, and it became a fixture on my turntable. Like the band had announced on "Borrowed Time" from 1979's Cornerstone , ...

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and it was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the '90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984, my (dearly departed and greatly missed) buddy Dave let me borrow his cassette copy, which included a bonus track of "Get It On (Bang A Gong)." When I eventually bought the album, I didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read, just go back and skim it. I'm sure you'll get the gist. I'd find out later Billy was an off-and-on-again member of Nazareth and wrote some absolutely killer songs for them. At the time, though, all I knew was this guy laid it out cold with the opening cut, "Baby Come Back," then proceeded to lay down one killer tune after another bef...

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure. I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTO's Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) - so who knows, maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust. It seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight-ahead pop or rock. It was leaning toward the progressive, but with a pop bent. Oddly enough, the vocals rem...