Skip to main content

Gerry Rafferty - Sleepwalking

Sleepwalking is one of my favourite albums ever. Released in 1982 Sleepwalking was a marked departure from his previous album Snakes and Ladders, and the ones before that. So many people think of Gerry as a one hit wonder with "Baker Street" from 1978s City to City, and I suppose depending on where you were, this was sort of true but I remember a number of songs from his first few records on the radio when I was a much younger man.

I was on a train in 1982 travelling back from a youth conference or something when my friend Gerry, who had (he may still have) great taste in music, had a cassette copy of Sleepwalking and insisted I listen to it because it was awesome. Being a fan already I listened to the first few songs, and gone were the folk elements, instead the songs were laden with synthesisers (English spelling) but it wasn't like he was trying to be Trio or Gary Numan this was still unmistakably Gerry Rafferty. It was indeed awesome. I think I said it quite loudly too as I was wearing headphones.

A couple years after that fateful trip I was out on a date, and before we went to the movies to see Gremlins I took her to the mall. We popped into a record store, as you do when you are on a date, and there in the cutout bin was Sleepwalking. It was something I'd long wanted so I picked it up. She was a great girl but as history would have it, the thing that lasted was the record. True it has been through some hard times, what with surviving the crawlspace flood and then being stored in a box for over twenty five years.

Years and years later I was finally able to get a CD copy. It may look like they went all deluxe with packaging and stuff, but they didn't. No booklet, no lyrics, no credits. Still, it was awesome to have a copy I could play.

So why then am I in the basement sitting with a beat up water stained lyric sheet listening to my old vinyl? Because I can, and the vinyl, unlike the jacket, is still in pristine shape. I'm not objective enough to tell if this is dated or not because to me this is vintage Gerry Rafferty. His choice to accompany the more modern sound of the keyboard and synths with real drums, bass, and guitar give this a timelessness (there are computer drums here and there).

The record features some amazing musicians, Liam Genockey on drums from Steeleye Span (a band I only discovered in the last few years),  Mo Foster on bass, Hugh Burns on guitar (what a tasty player) and Alan Clark and Pick Withers from Dire Straits guest on a couple of tracks. The album was produced by Christopher Neil and Gerry Rafftery, which was a departure from the previous albums that had been helmed by Hugh Murphy.

I know history hasn't been kind to this album, and to a lot of people it would seem like each release after City to City was an exercise in diminishing returns. Not knowing how that side of the equation worked I simply liked Gerry's music, and loved his voice and bought his records when they came out. Each of his records has something I love, but for me Sleepwalking is his crowning achievement. It is as haunting and beautiful a record as I've ever heard.

Meanwhile back in the music business the best goes on and on
I sell my soul to the company man, when there's nothing else to lean upon

Gerry was an artist who passed away in 2011 at the age of 63. His posthumous release Rest in Blue that came out in 2021 should be in your collection as well. Actually you should just get them all. Just remember to give Sleepwalking some love. It's a masterpiece.

 


Comments

Popular posts from this blog

6 Cylinder

As a kid we had one radio station, not counting CBC, and generally there was very little that was worth listening to, although there were times something would come on that would make you pay attention. It was 1979 and on a couple of occasions I heard "There Ain't Nobody Here But Us  Chickens" and it cracked me up, and I always wanted to get a copy for myself. A few years ago when my niece was dancing, they did a performance to this song, and now I can't separate my niece from a bunch of dancing chicks in chicken suits. Such is life. When I found this in the dollar bin I actually let out a little chirp, my goodness could it be? It was, and it was in great shape - including the inner sleeve.  Score. I had no idea what to expect, for all I knew there was only one song worth listening to, and if that was the case it was still a dollar well spent. If I could buy an album by Showdown and enjoy it, odds are I'll find something to enjoy here to. Before I put this on I...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure.  I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTOs Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) who knows maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust - it seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight ahead pop, or rock. It was leaning to the progressive, but with a pop bent. Oddly enough the vocals reminded me of Mi...