I'd gone in to the record store looking for a specific album (still can't find it) and got to chatting with the staff and we got on the subject of British new wave. He asks me if I had any Haircut One Hundred. I say I know the name but can't recall any of their stuff. "What about Nick Heyward?" he asks. Again I knew the name, but was drawing a blank on anything specific. I know he's on a compilation somewhere in the library in the studio but knowing and knowing aren't the same. So he pops out from behind the counter and comes back a few minutes later. "Here, you have to get this." Dagnabbit, it's more than a dollar, but not stupid expensive either so I figure why not? After all he was quite insistent, and generally when we chat about stuff we agree on a lot of things.
What I find amazing now is how talented these kids were. Yeah kids. Geez Louise Nick Heyward the principle singer and songwriter was 21 when this came out, and all the guys look like they just used their high school yearbook photos for the back cover. The level of maturity is rather astounding. The arrangements are pretty danged sophisticated - you have to love a band who can create complex pop that leans heavily on percussion and an amazing horn section. When I was 21 I was writing songs about how much I hated smurfs.I had mentioned new wave earlier, and I guess these guys were sort of in that group of bands coming out of the UK at the time, but I'm not sure that's the label I'd use. Then again as I often say I'm not really good with genres.
Man, 40 years later and to my ears this sounds fresh. I love the fact that on the back cover there's a picture of a rotary phone. That's probably the most dated thing on the album.
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