Rambling Tangent Alert:
Adrian Belew first came to my attention back in 1983, when a wonderful young lady said my homemade DIY "albums" reminded her of Adrian Belew in their quirkiness. To me this was incredibly intriguing, so I rushed out and purchased Twang Bar King and Lone Rhino and quickly discovered that my friend was being overly generous, as those two albums were life-changing and expanded my musical palate beyond anything else I'd ever heard to that point.
End of Tanget - but not the Rambling
The album cover is pure cheese, the best kind. Back in the mid-80s, this seemed to be the stock-in-trade of pop acts around the world, from Katrina and the Waves to Bananarama, and a year later the Stones' Dirty Work would use the same colourful motif. Ah, the 80s - they were the best of times.
The band was tight AF* too - brothers Brad, Rob, and Graham Elvis seemed to share a performers' psychic bond not seen since the Dionne quintuplets performed Twelve Angry Men as a one-woman show at Massey Hall in the mid-1950s.
I'm kidding - Brad, Rob, and Graham aren't really brothers; they just play them on record, the same way Pernell Roberts wasn't really a doctor ...
Regardless, the album is a fine example of wondrous power pop, deftly produced by Adrian Belew. The band seemed to effortlessly meld the pop sensibilities of Split Enz–era Neil Finn with the rock chops of fellow Illinois rockers Cheap Trick, tying it all together with a healthy dose of sparkling guitars, rockabilly swing, and a driving beat. Adventure Time indeed.
* audio frequency, what else would it stand for?
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