The album itself was in decent shape, the jacket was okay, but sadly there was no insert so who knows what may or may not have been on the liner, but the back cover had a lot of information which I always appreciate. This was an album I was looking forward to hearing as I'd never heard the album or anything by Karla that I can remember, and I wasn't sure what to expect (I had some idea but you never know. There are a lot of great writers that need good singers. Jennifer Warnes comes to mind, who was great with Leonard Cohen songs, anyway I'm getting way off topic, and getting lost in the parenthesis) - boy it didn't disappoint. You certainly echoes of Linda in her vocals, and it's hard to separate one from the other to be honest, particularly when a year later Karla revisits her own songs. Helping and not helping with this comparison were the stable of musicians she used to record her album. Andrew Gold is here, as is Kenny Edwards who in addition to playing also produced, and both had history with Linda. Heck the list of credits is mind boggling - it seems every L.A. ace was somehow involved from Leland Sklar on bass, to J.D. Souther and Glen Frey who provide backing vocals on "If He's Ever Near" which is an amazingly beautiful song. Heck Linda returns the favour by providing backing vocals on two tracks, "Home" and "Rose in the Garden" which are really great songs. The album sounds amazing too, Greg Ladanyi engineered so many wonderful records.
With the passage of time and being able to listen to this with fresh ears and no baggage I love it. I am a sucker for this era of LA rock and roll. It's funny (not ha ha) how fresh this still sounds, and highlight how little things have changed in some respects. Maybe Karla didn't step out from the shadows of her contemporaries - Maybe she didn't need to as she cast enough light to be seen, and she's still heard.
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