Skip to main content

Zappacosta - Zappacosta

I was feeling a bit bummed out, so I went to the basement looking for something to raise my mood from shitty to something just slightly less than grumpy. I riffled through the albums that were in my "pending listen-to pile," and there was Zappacosta's 1984 self-titled release.

This was an album I always meant to buy when it came out, and never did. Don't know why, I just didn't. "Passion" was a song that melded all the great elements of early '80s pop, and even the follow-up single "We Should Be Lovers" was great. When I was looking through a discount bin and saw a decent-looking copy with pristine vinyl, it was finally time to pick up the album.

Like Paul Janz, Zappacosta built pop songs around his ability to carry a song through the power of his voice. The album kicks off with "Passion," and while the song is very much of its time, it's still a great listen and propels the album through a series of familiar and very strong songs, from "We Should Be Lovers" to "It's All Been Done Before," a song I'd completely forgotten about.

The first side closes out with the mid-tempo "Spread Myself Too Thin," which is a decent song, and so far this is a solid effort. Part of this may be due to the fact that three of the five songs were already familiar.

As the album fades out with the synthesiser symphony, I'm reminded that Zappacosta was the voice behind an awesome Wagon Wheels commercial in 1984.

Anyway, time to get up and turn it over.

The second side starts off with "Runaround" and, after a slow build, heads into a pretty standard pop-rock song with a good vocal. The songs here are decent and delivered with conviction, but somehow felt flat. I can't put my finger on it.

Maybe it's me just feeling a bit down and looking at things from a more pessimistic perspective.

Having said that, "Start Again" just finished, and it had a great groove. I'm going to go play it again.

Yeah, that's a great tune.

For some reason it reminds me a little of "Solsbury Hill" but played faster. Don't get me wrong, thematically and musically they're quite different - it's a mood thing. The rest of the album is enjoyable but again, sort of just there. I'm sure with a couple more spins through this will all flow nicely.

The band consisted of Alfie Zappacosta on vocals and guitar; Paul Delaney on drums; Steve Jensen on guitars; Gerald O'Brien on keyboards; and Mitch Starkman on bass.

There were some interesting guests too, at least from my perspective. Peter Boynton, formerly with Red Rider, provided additional keyboards, and Dee Long, who was a member of Klaatu and also co-produced Rational Youth's Heredity album, played additional keyboards and did Fairlight programming.

I may be a few decades late picking this up, but I'm glad I did. The songs I remember from the radio are still packing a punch and have even levelled up a little with the power of nostalgia and familiarity. The new-to-me tracks were decent, and I'll single out "Start Again" as my favourite track to discover.

Now, about that back photo.

I know it was the '80s, but really, did he need to borrow an outfit from Carole Pope for the back cover? Now I'll have to do one of those "who wore it best" things.

Oh, if you're wondering, I'm feeling pretty good.

While I was proofreading (yes, I'm aware you'll likely find something I missed. I never said I was good at it), I played this again, and those flat-sounding songs have a little more air in them.

I loved the '80s.Not my image - downloaded


Comments

Popular posts from this blog

Styx - Paradise Theater

Styx was hands down one of my favourite bands as a kid. They were a strange band, even back then. They were a hard rock band, almost progressive at times, who had a penchant for sucky ballads. I know there's a tendency for people to zero in on "Babe" as the song that killed the band's credibility. The roots go way back to almost the beginning when Styx released "Lady" on their second album. It showed a side to the band that needed to be kept in check, and for the most part the band kept things on a pretty tight leash. The band had been setting a gruelling pace, releasing an album a year (two in 1972) and by the time they released Paradise Theater (if I end up writing theatre later it's because that's how we spell it here) in 1981 they'd dropped ten albums in less than a decade. I snapped this up as soon as I saw it, and it became a fixture on my turntable. Like the band had announced on "Borrowed Time" from 1979's Cornerstone , ...

David Baerwald - Bedtime Stories

The little sticker on the shrinkwrap says, "You may remember David Baerwald from David & David's Boomtown ..." You bet, I remembered David Baerwald. Back in 1986 Boomtown was an album with moments of sheer brilliance. The whole album may not have been as top shelf as the first few tracks, but that didn't matter - it is an excellent album. I waited for a follow-up ... and waited, and then in 1990 it was a solo David, David Baerwald,  who dropped Bedtime Stories . I snapped it up. "All For You," the opening cut, is still my favourite song on the album. It was mesmerizing. I'm not sure if the song got any airplay, it may have, but that may have been wishful thinking on my part as it was on a lot of mix tapes at the time and I heard it a lot in the car. The CD had a great booklet with all of the musician credits and lyrics. Oddly, when I found a sealed copy of the record (a great score), it just had a plain paper insert - the picture of David walking wit...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ... It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continued to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self-titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner, who had been with Gary from the b...