Skip to main content

The Who - Who's Next

It's not often a classic pops up in the dollar bin. The last surprise that was this big was Tattoo You by the Stones, and that album was in amazing shape including the insert. Part of me wasn't to concerned so long as the big songs were playable. Besides I have the 2003 deluxe edition and that is almost two and a half hours of stuff - much of it I've maybe heard once while it played in the background.

Yeah, sad.

Anyway here was the 1980 MCA re-issue (at first this confused me as I thought this was an old record - I mean it is old, but older than the date suggested), and someone must have been having a bad day and dragged the needle across the first side. I could feel it with my finger nail so I figured best case was a repeating pop for a few songs. Thankfully "Baba O'Riley" was fairly clean, and frankly on the first side that's all that mattered to me. The songs still sound pretty fresh and while still being very much of their time. When I think of some of the songs particularly songs like "Going Mobile", "Behind Blue Eyes", and "Won't Get Fooled Again" - all eight and a half minutes of it (all on the second side, which was in better, but not great condition), and of course "Baba O'Riley" don't sound like 1971 to me. I love that song. The delayed organ combined with the violin was genius. It really was.

I think the first time I actually really listened to this album was back in 1984 when I borrowed my then girlfriend's copy as she was a huge Roger Daltry fan, and loved The Who. It doesn't hurt that the album was really well produced and didn't sound thin and anemic. It had punch, and John Entwistle's bass punctuated the beat.

Pete Townshend wrote all the songs on the album except "My Wife" which was written John Entwistle, and cracks me up, and I love the horn arrangement. Heck, even rock stars were pussy whipped. Poor John goes out for a drinking bender and has to hide from his wife because she thinks he's been running around with other women. I find it interesting that John actually has a decent voice - a weaker version of Roger with bits of Pete. I've always just assumed he sang "Boris the Spider" and that was it. Look what I learned today by paying attention.

I have to say I really did enjoy this. Too bad the condition of the record wasn't better, but dang it for a buck I got my dollar's worth.

The cover was a wink and a nod to Stanley Kubick, and the monolith from 2001. Whoever said The Who didn't have a sense of humour weren't paying attention. However, maybe they don't - or at least Pete didn't. I read a deliciously long quote about his opinion of the cover which can't be boiled down to him basically saying "It’s another piece of shit."

There's great article The Story Behind the Cover if you want to read more.

The Who may not reside near the top of my favourite bands but I have an appreciation for great rock, and this ... this is great rock.

Post script August 2023. I stumbled across a half speed master for a couple of bucks that was in fabulous shape that was a great score. Back in the day I never shelled out for the half speed masters that were supposed to appease the audiophiles who wanted the best sound ever ... but this was too good to pass up, and yes it does sound great. But then again what do I know?

Comments

Popular posts from this blog

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure.  I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTOs Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) who knows maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust - it seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight ahead pop, or rock. It was leaning to the progressive, but with a pop bent. Oddly enough the vocals reminded me of Mi

Hoodoo Gurus - Mars Needs Guitars!

The first time I got this album it was a gift from my old roommate Otto. For a goofy little nebbish he would occasionally surprise me with some left of field musical treasures. Although, I still think he was reaching a little when he brought home the new "Led Zeppelin" album by Kingdom Come and forced me to listen to "Get it On" over and over again.  I'd not listened to Mars Needs Guitars in a long, long, long time. The first thing that I jumped out at me was how David Faulkner's vocals reminded me of his fellow countryman Peter Garrett from Midnight Oil. I think the reason this never occurred to me was at the time I didn't have any Midnight Oil until Diesel and Dust in 1987. I'm not saying it was all the time, but there were a couple of songs where it stood out. Not a bad thing, just a thing. Even at the time this felt slightly out of step with what was going on in 1985. It seemed like everyone was using drum machines and synthesizers and having t

Saturday Night Fever - The Original Movie Soundtrack

It was going to happen sooner or later. Nostalgia is a cruel Mistress...she can dull the sharpest edges and over time can even soften the hardest of opinions. I found this in the dollar bin, and frankly at a dollar I was worried about what this would cost me. Not only from a monetary perspective, but my time, and more important my credibility. Fourteen year old me was screaming "Don't you dare. DON'T DO IT! Put it down. Walk away!" Then there was grey bearded me holding it and looking at it, thinking, "How bad could it be? I actually kind of like "Staying Alive" and me buying this record won't bring disco back, and no one will have to know I bought this." I pulled the album out of the bin, and carefully took out the records. They'd seen better days, and there were a couple of decent scratches that would no doubt make their presence known later. The jacket was in decent condition, and both of the albums had the original sleeves. I dusted the