Going in I knew that "All I Need" was an earworm - back in 1984 I worked in an office where we had a TV in the break room. Whoever got there first could choose the channel, regardless of how many other people would end up in the room. At least that was my interpretation of the rules. Most afternoons I'd have to sit and suffer through General Hospital. However, there were enough times where I'd get there first and change the channel to watch Looney Tunes that people made a concerted effort to beat me to the break room.
So with respect to General Hospital it provided interim employment to Rick Springfield and like Pernell Roberts got to play a doctor on TV - although Rick got to play another character as well, a rock star named Eli Love (I am not making this shit up). Given my love for his music I can give him a pass. However, there was another young cocky character named Frisco Jones who in the 80s was breaking hearts and also pretending to be a singer on TV. It's funny he was probably only 25 at the time, but there was an irritating quality to his character - I was probably just mad that I wasn't able to watch cartoons. Then a weird thing happened Jack Wagner's "All I Need" started getting airplay and the fictional and real worlds were overlapping. It got a lot of airplay. At least there wasn't a video, but man that song was played all the time for what seemed like FOREVER.
Fast forward nearly four decades, and I stumble upon a copy of All I Need (Full-length 10-cut album, you mean there was a shorter version? Also, am I the only one who thinks he's sniffing his arm pit?) in the unloved dollar bin and subconsciously I start humming "All I Need" as I pick up the album and look at the credits on the back cover. Glen Ballard, who apprenticed under Quincy Jones,co-produced the album - later he would go one to great success with Alanis Morissette. Apparently this was his first production credit.This was an 80s album in the purest sense of the word. It kicks off with "Premonition" a not so subtle reworking of "Maniac" from Flashdance. I happen to love that song, and I almost bought the album by Michael Sembello, but I didn't. Still, this set the tone for everything that would follow; Jack was aiming to be an AOR pop star. The songs contain all the cheese you can imagine and honestly I'm kind of at a loss for words. Part of me really want to just enjoy it for what it was ... but despite having solid production, that is dated now, but at the time this was a good as it got, and some fantastic musicianship this sometimes seemed to border or parody or dare I say - fairly decent karaoke. "After the Fact" opens with Jack opining, "You know, a man can only take so much..." yeah, Jack I know exactly how you feel.
I know I've been taking shots but Jack Wagner could sing, but there was something in how he was recorded (or processed) that felt off. I will give props to his signature song, "All I Need" as I can no longer claim any objectivity. I like it even it if made fun of it. He does nail that one, and it's a really quite good. However as good as that one is, the album's closer - another ballad "Lady of My Heart" is as irritating a sugary love song as there ever was. Think of the worst shitty show tune you know, and you'll be close, if you want to have the ideal image, pretend Rob Lowe is playing the saxophone in the rain on this one. Yeah - it's that good.There was a little itty part of me that had kind of secretly hoped he was like an under appreciated Rick Springfield - nope, he just ended up being Eli Love's long lost cousin who was fathered by Dr. Noah Drake's evil twin who was killed in a scuba diving accident, before releasing Jack Frisco upon the unsuspecting citizens of Port Charles.
On the positive side, he was like a less irritating version of Michael Damian.*
*I have to come clean, I only know him from his version of "Rock On" and I just think it's fun to take cheap shots because he was an easy target, but I will say this, if I find one of his albums I will likely pick it up. I owe him that much.
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