His previous album The Principle of Moments from 1983 had some killer songs on the radio that I liked and found irritating at the same time. Oddly enough when the Honeydrippers EP dropped it was massive, and there was something endearing about "Sea of Love" and this seemed to earn him a lot of goodwill with me as when Shaken 'n' Stirred came out I was intrigued by the video for "Little by Little" and really enjoyed the song.
My old roommate Otto and I had pretty similar tastes in music, and he bought the CD and I think I played it once and dismissed it as a steaming pile of shit and didn't really think of it again for many years. Fast forward many more years and the trilogy of Robert Plant albums featuring guitarist Robbie Blunt have recently found their way into my vinyl collection - and they weren't dollar bin finds, I sought them out. Some were in better condition than others but they were all decent, and a very nice addition to my collection. This isn't my favourite of the albums, but is probably the one that took the most chances, failed more than it succeeded and is the one that I still can't quite get my head around.Looking back now you forget how young Robert Plant was in the 80s. He was still in his prime, and looking for ways to be creative and not simply be "that" guy who was in Led Zeppelin. With Shaken 'n' Stirred he was pushing the boundaries of rock, and utilized technology as a sensory enhancer. Probably one of the weirder moments was the deliberately over the top "Too Loud" that for four minutes tries and succeeds admirably at being one of the most irritating pieces of music you'll ever hear. It really defined the spirit of the entire album.
Once you turn the record over, the second side opens with "Little By Little" and I'm immediately transported back in time, and I'm bobbing my head and tapping my foot. Funny how time is. I remember thinking the riff was reminiscent of Talking Heads "Once in a Lifetime" from Stop Making Sense and listening to it now, I sort of hear it - but it's not the same at all. Maybe it's the mood or the feel. Who knows.
The rest of the album, while more accessible than most of the first side, is okay but doesn't really stick the landing. "Sixes and Sevens" is good though - really good, and a solid way to close out the album. It's interesting that at this stage in his career Robert Plant was confident enough to still chase his muse and not merely rest on his laurels and repeat himself. For that alone, I'm pretty happy having this in my collection.
The repeated listens have merely served to emphasis the songs I already liked, although others are starting to appeal to me. The rest are sort of a conundrum, and I'll likely give this another spin or two just to see if I can finally crack this one - probably won't happen, but I'm still game to try.
It's not like Mister Plant was trying to hide his intent with the listener. He did call the album Shaken 'n' Stirred - he did both.
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