There was a period of time when Corey Hart was unassailable. It was fun to take pot shots and call him names because he popular with the teenage girls. Heck, when he covered Elvis' "Can't Help Falling in Love" on
Fields of Fire it was open season. But, honestly it was pretty awesome. To say Corey Hart and the '80s are synonymous isn't a stretch.
With Boy in the Box it was do or die. After all the success of "Sunglasses at Night" there's was no way he'd be able to top his debut. Right? The then 23 year old Mister Hart dropped a remarkably mature effort that managed to capture everything that was cool about the early '80s. He had the look and swagger, and he could deliver the songs to back it up. I guess because I was growing up at the same time, and am a year younger I totally forgot that Corey Hart was basically my age.
To say the album was a phenomenon here in Canada is a bit of an understatement. Sort of like saying Canadians like beer and hockey. Well, I like beer, and couldn't give a shit about hockey. This album I resisted getting initially. There was something about buying a record that every thirteen year old girl in he country seemed to have. So I played contrarian and bought Gowan's
Strange Animal instead, and Bryan Adam's
Reckless was still every where so I really didn't need Mister Hart's album. However, in our little country he managed to move over one million albums - with this release alone.
That's one million in a country that was maybe twenty six million people, and when you look at the record buying demographic you're basically hitting everyone in that market.
Then on a train ride to Quebec city in the summer of 1986 my girlfriend at the time had her Walkman and a copy of
Boy in the Box so I listened to it. I remember sitting there reading the tiny credits, and seeing who played what. For whatever reason I never forgot seeing Gary Breit's name as playing keyboards. That's a story for another time and a different album. What I was enamoured with was the guitar. Good lord, Michael Hehir was (is) a monster. There's very little out there that I can find on him, but goodness me he was the heartbeat that throbbed through the songs on the album. If you think Corey Hart can't rock, then you've not heard "Komrad Kiev" with the heavy guitar. I mean if this wasn't Corey Hart you'd think you were about to have your face melted.
I remember when April Wine was on tour supporting
Animal Grace in 1984, they had a young Corey Hart in tow as their opening act. It may seem like an odd fit, but they were both on Aquarius Records here in Canada, and if the label thought Corey had enough rock chops to open for April Wine's beer drinking rock crowd, maybe he did. We're the ones who pigeon holed him and stuffed him into a box (oh wait, I'll have one more groaner at the end, wait for it).
Corey would go on a tear through the '80s releasing one great album after another, he's put paid to the decade with the under appreciated Bang! He's still putting out albums every so often, and I still pick them up, and he seems to defy aging. However most of the rabid fan base moved on, putting the boy in the box on a shelf.
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