Skip to main content

Doug and the Slugs - Wrap It!

Doug and the Slugs
Last fall I stumbled upon Doug and the Slugs debut album, and was more than a little surprised at how good it was. My previously held belief that the band sucked had to be revisited and I had to admit I'd done the Slugs wrong. I wouldn't go so far as to say I was a fully slimed convert, but I was at least on the path to putting away my salt shaker.

After the barrage of "Too Bad" I don't really remember hearing anything else by the band until "Making it Work" started getting some airplay, and yeah, it was catchy and all but I didn't consider myself a fan so I never picked it up. Lo and behold buried between the 1980 debut and the '83 release Music for the Hard of Thinking the band dropped their 1981 follow up Wrap It! An album I honestly didn't know existed. Then again, that's not saying a lot as the amount of shit and silliness I don't know far outstrips any semblance of knowledge and meaningless trivia I have accumulated over the years.

So there I was riffling through the dollar bin and there was a really good looking copy of Wrap It! With all of the liner notes, and a pristine looking vinyl - the cover was creased on the bottom right corner, is the only reason I can think this was relegated to the cheap seats. I'm not complaining.Honestly I was kind of curious, but really didn't know what to expect here. The album kicks off with "Dangerous?" a song with a timing defying kick drum that seemed too fast to be maintained without getting a leg cramp ... but this is a record after all so they can work on it and get it right. Right out the gate this was different, but still kind of the same. The sound though ... IT WAS FAT. This has aged incredibly well. I have to give props to the band and Jim Vallance for that. The album was recorded at the legendary Little Mountain Sound in Vancouver, and the album was engineered by Mike Jones. This is a fantastic sounding record.

bunch of slugs
There are no duds here, but I can also hear why there were no obvious singles. The closest was "Real Enough" that featured backing vocals by The Nylons, and while it was released as such, didn't chart. Time and place I guess, as it was every bit as good as "Too Bad" and "Making it Work."

The band kept their sense of humour and the packaging is awesome as they take the back page of the insert to talk about The Package. My favourite bit, as this was still back in '81 was their little blurb about Jim Vallance, who at this point was best known for his early work with Prism, and he was at the start of his partnership with a young Bryan Adams.

The Package
The best producers and the ones who take sadistic delight in bossing wimpy musicians around but we found they cost too much (like S&M pain is an expensive pleasure.) Therefore we go for the gentle west coast soul with small town connections who'll form  committees, organize meetings, and listen to the band's opinion because he's terrified of being sent home without having made it in showbiz or hockey.

Estimated cost - $650.00

While most of the songs tend to be tongue in cheek and have a party vibe the album's closing track "River" really got me in the feels. What a great song and what a fitting way to close out a really solid album that seems to be the overlooked entry into the band's discography.

back cover
This was a great surprise, and I still can't get over how fresh this was still. The lesson here I guess is, if you're going to try and preserve something you need to (no, don't stop reading yet. Say it with me, you know you wanna) Wrap It!

Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Styx - Paradise Theater

Styx was hands down one of my favourite bands as a kid. They were a strange band, even back then. They were a hard rock, almost progressive at times who had a penchant for sucky ballads. I know there's a tendency for people to zero in on "Babe" as the song that killed the band's credibility. The roots go way back to almost the beginning when Styx released "Lady" on their second album. It showed a side to the band that needed to be kept in check, and for the most part the band kept things on a pretty tight leash. The band had been setting a gruelling pace, releasing an album a year (two in 1972) and by the time they released Paradise Theater (if I end up writing theatre later it's because that's how we spell it here) in 1981 they'd dropped ten albums in less than a decade. I snapped this up as soon as I saw it, and it became a fixture on my turntable. Like the band had announced on "Borrowed Time" from 1979's Cornerstone , "Don...

Lighthouse - Sunny Days

Bin diving at my local record store where there were more than a few choices to make. After picking out a half dozen treasures, I figured I'd stop looking and leave before I caused myself trouble at home. Lighthouse was one of those ridiculously large bands in the early 70s I didn't understand. I mean really, BTO was just four guys, The James Gang was three, until they weren't, what in the world do you do with a dozen guys in a band? Of course I had a radio — it was the first significant purchase I made with my money from cutting lawns. I think at the time it cost about 35 bucks, and had FM and other high frequency things I never got to use living out in the suburbs away from the reach of the big city FM signal. "Sunny Days" was a great song. I remember thinking it was cool and didn't switch to the other AM station when it came on. A few years later, when I got my first record player, the obligatory K-Tel anthologies would feature a myriad of cut up and edited...