Skip to main content

David + David - Boomtown

David + David
David Baerwald and David Ricketts released Boomtown back in 1986. I remember when I first heard this on the radio. I was enthralled, who were these guys. I've only experienced this feeling a few times, one memorable time when when I was driving my little sister home after a new year's eve party when I heard for the first and only time "Last Plane Out" by Toy Matinee - thankfully the DJ mentioned the band as I committed that to memory.

Hearing "Boomtown" was like that. Who were these guys? They would show up on MuchMusic and they'd talk about their tour, and how much they liked their opening act Robert Cray, who was riding a wave with the success of his Strong Persuader album. I don't know what that stuck with me - trivia is a wonderful thing and my accumulation of useless knowledge will certainly come in handy when the zombie apocalypse hits.

Of course I bought the album right away - and the lead off track was the money shot, but then it was followed up by "Swallowed by the Cracks" another really strong song. This in turned was followed by "Ain't so Easy" another incredible pop song wrapped around vivid imagery. All three were singles but here at home I don't remember hearing them - but it didn't matter, they were on most of the mix tapes that year.

I'll be honest and admit that it was those first three that captured my imagination, and when I think of the album it's these three songs that come to mind. There are a half dozen more songs, but for what ever reason I never really got past the first side very often.

It's been a long time since I say and listened to this one start to finish. The closing track on the first side "Being Alone Together" seemed like a tonal shift, the song is still great and filled with vitriol but it didn't have that buzz the first three had. This isn't a shot, listening now I appreciate this far more now than I back then.

The second side is the one I decided to spend more time with. Sort of a belated apology for ignoring it for all these years. If anything the songs are more complex and challenging. David Baerwald's voice that was equal parts growl and storyteller and the music was there to convey and support the emotional gut punch. It's weird hearing this now, and really listening. There is a vague sense of familiarity, as it isn't like I never played this side, but it still feels very much like a new discovery. When "Swimming in the Ocean" started I perked up, the interplay between the guitars, with the staccato bass between the notes and the driving beat combined with the moody vocals this was a killer song. It was very '80's without the weird synth cheese. My goodness what a groove. The album closes out with "Heroes" a song that would hint at the direction his solo work would take with more of an organic Americana bent. 

It's a quite a journey over nine songs and don't make the same mistake I made in focusing on the "hits" take the time to soak it all in. I'd always thought of this as an excellent record - it really is.

This would be there one and only release, and of course I'd have loved to have more - but I suspect they said what they had to say and that was enough. Welcome to the boomtown.

Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ...  It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continues to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner who had been with Gary from the beg...