The album was pretty decent, and I always thought "Why You Wanna Break My Heart" should have been a hit. Instead we got to hear Tia Carrere butcher the shit out of it in the movie Wayne's World, and then again when they put it on Wayne's World: Music from the Motion Picture. Sigh, the same soundtrack Gary Wright figured the world needed a reworked version of "Dream Weaver" - it didn't, the original was amazing. Leave well enough alone.
Well, this has devolved a little more quickly than I anticipated. Well, why stop now - let's just press on and see where this goes.
It's all downhill from here. Hang on.Now, there are a few really good tracks on the album, and yes, the highlights are "Girls" and "Why You Wanna Break My Heart," and there are others too, but for me the song I think of when I think of Jungle is the closing track on the album. It's a little over a minute and a half of unbridled rock and roll bliss. Yeah, I'm talking about "Max Dog." I don't know why this particular song got me in the feels, but it did.Max got the bacon
Max got the eggs
One thing baby ...
Max dog got no legs
When I later found some of Dwight's previous releases, it was during his Dwight Twilley Band period that I'd see Phil Seymour's name, who provided lead and harmony vocals. I don't really remember much from that period, to be honest, and those albums have long since disappeared from my collection. Still, there was something about them I never forgot. No, I am not contradicting myself. That's just how it is.
Even though Jungle was fairly successful, there wouldn't be a follow-up for a couple of years. When he dropped a new album, it was on another label, and frankly I never saw it in the bins. I don't even know what it was called. I suppose I could look it up. Reading up on Mister Twilley, it seems like label issues and questionable decisions seemed to plague his career. Which is too bad. Jungle would be about as far as I went with him. Like I'd mentioned earlier, I did find a couple of older releases (long lost), but I never did find anything by Twilley after this album - and while I kept an eye out for a new album to come out on CD, I never found it, and over time he sort of faded from memory. While "Girls" would pop up on the occasional '80s compilation, he was more or less forgotten by the masses, which is a shame, as when he was good, he was very good.However, it would seem that despite the weird label issues in this era of Spotify, there is actually a fair bit of his catalogue out there that can be heard, and that's a good thing. If iTunes is your thing and you actually want to buy stuff, there's a lot there too.
Which actually warms my heart a little.
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