Before I dropped the needle I scanned the back cover, and the only name I recognized was Hayward Parrot, who engineered the album. This was cool, as I'd just seen his name on The Front an album I'd just found. While the cover showed Rich Wamil & Copperpenny, the album's spine and the record label attributed this to Copperpenny. I'm guessing at the time there was some name recognition for Mr. Wamil, and sure enough on the credits his name is in bold print.
The album opens with "Disco Queen" and sure enough, what I'm getting is a blend of rock and funk with a generous dollop of keyboards. I wasn't disappointed, this was good fun. The whole first side was solid. The second side features a really cool cover of Van Morrison's "Feedback on Highway 101" that got my attention.
Rich has a big voice, and I can see (hear) why his name is on the marquee. However, the whole band is on fire throughout, and the album sounds huge and full. I've also got to give a lot of love to Bert Hermiston who played the sax solos on the album. The epitome of cool. I'm not generally a sax man, but you have to give it up when things stand out.
Just as I getting into it, the last song "Tossin' and Turning" ends, and I'm left wanting more. This was too short. I'll just have to get up and flip it over and repeat.
Since I'm on my repeat listen, I'll just take a peek and see what's out there on the band. Fuse was the band's third album, and their first on Capitol Records Canada. It was also their last. Which was a shame. There's very little out there on Mr. Wamil, or the band in general, although I read that they had a short lived variety show (I wonder if it was a local cable access show) and they were responsible for discovering Doug Henning. Maybe he was the one who made their career disappear.
I was going to try and work in a blown fuse thing to end with, but it seemed a little too dismissive and I didn't have the energy.
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