MacLean & MacLean - Bitter Reality

They say you can't go home again - mostly because once you move out, it isn't your home. Still it's fun to go back to visit, raid the fridge and leave without doing the dishes. When I was a kid there were a couple of acts who managed to become legendary by only hearing about them second hand: Nestor Pistor and MacLean & McLean. When I got a Bill Cosby record, my cousin Jeff was playing George Carlin. One of those was safer than the other ...

Over the last couple of years I've picked up a couple of Nestor Pistor albums, and had my expectations dashed. Maybe they were funny once. Not to say there weren't some amusing moments, but on balance I just couldn't figure out how this stuff became the stuff of legend.

Here I am with Bitter Reality, the second album by MacLean & MacLean released in 1976, although the copy I have was on El Mocambo and was dated from 1980. At the time I had no idea that Burton Cummings was on the album, although apparently his management tried to block it due to some of the content ... they weren't successful. Jack Richardson, who produced so many great Guess Who tracks, was on board for this album - a mixture of live and studio cuts.

As I mentioned comedy albums can be tricky. I have a number of comedy albums that have aged like a fish in the sun. While this one certainly was tasteless at times, there were some little nuggets here and there that were pretty funny. The songs about pubic hair were great, and the :46 seconds of "Ken and Barbie" was more entertaining than the movie. The highlight on side one is "Frankie Fontaine (King of Genital Rock)" where Mr. Cummings more than acquits himself. I didn't want to laugh at "Shit" but I found myself getting actually laughing at one point.

At the time it didn't take a lot to be taboo and the guys went after everything. Not everything stuck to the wall, and frankly I get the sense most of what was being thrown around wasn't meant to - if it stuck great, if not the next one might. It's interesting to listen now and realize that audiences in 1976 weren't any more accepting than they are now ... the difference is that when people are offended now they have to let everyone know they're offended.

So while a good chunk of the album wasn't really all that funny to me, it was kind of comforting to realize that the more things change the more they stay the same.

Both Gary MacLean (1944–2001) and Blair MacLean (1942–2008) have long since passed on. I suppose they'd take some comfort knowing that while they never became comedy royalty they still left their mark. Excuse me while I go and change my pants.

Comments

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Styx - Paradise Theater

Styx was hands down one of my favourite bands as a kid. They were a strange band, even back then. They were a hard rock, almost progressive at times who had a penchant for sucky ballads. I know there's a tendency for people to zero in on "Babe" as the song that killed the band's credibility. The roots go way back to almost the beginning when Styx released "Lady" on their second album. It showed a side to the band that needed to be kept in check, and for the most part the band kept things on a pretty tight leash. The band had been setting a gruelling pace, releasing an album a year (two in 1972) and by the time they released Paradise Theater (if I end up writing theatre later it's because that's how we spell it here) in 1981 they'd dropped ten albums in less than a decade. I snapped this up as soon as I saw it, and it became a fixture on my turntable. Like the band had announced on "Borrowed Time" from 1979's Cornerstone , "Don...

Lighthouse - Sunny Days

Bin diving at my local record store where there were more than a few choices to make. After picking out a half dozen treasures, I figured I'd stop looking and leave before I caused myself trouble at home. Lighthouse was one of those ridiculously large bands in the early 70s I didn't understand. I mean really, BTO was just four guys, The James Gang was three, until they weren't, what in the world do you do with a dozen guys in a band? Of course I had a radio — it was the first significant purchase I made with my money from cutting lawns. I think at the time it cost about 35 bucks, and had FM and other high frequency things I never got to use living out in the suburbs away from the reach of the big city FM signal. "Sunny Days" was a great song. I remember thinking it was cool and didn't switch to the other AM station when it came on. A few years later, when I got my first record player, the obligatory K-Tel anthologies would feature a myriad of cut up and edited...

Old Enough to Forget

Search This Blog