Skip to main content

Hooters - One Way Home

Hooters
Hooters released their follow up to Nervous Night in the summer of 1987. It hadn't seemed like two years between albums. When the album dropped I picked it up right away. I really don't recall my reaction at the time. I do know I immediately pulled "Satellite" off the album as my favourite track and it ended up on a lot of mix tapes. There were a couple other songs that I liked too, but I'll admit to having shelved the album pretty quickly after hearing the highlights, and giving it a few spins. It was a damning judgment, but this was 1987 and I was getting so much music that my attention span was pretty short. However, there was always something about the band I liked, and I would pick up their next album Zig Zag in '89 and then I would more or less lose track of the band.

Getting back to One Way Home, I will say that it's been a hoot (sorry) getting to hear this again. Now, I do have this on CD, but finding a pretty mint copy of the record was too much to pass up. I have always found it really, really irritating when the jacket doesn't list the songs in order, and the band does one better by including a lyric sheet that has the songs in a different order as well. Nothing like making you work to follow along.

Musically the band was top shelf, and they were a rock band who incorporated a lot of different influences that has helped keep this sounding pretty fresh after all these years. "Satellite" is still to me the centre of the album, but really there are no duds here and the folk elements blend so well with the harder elements that were sometimes infused with a reggae swagger.

insert
In many ways this to me the best of their trilogy of major label releases in the '80s. It's their most cohesive and the one that should have been huge. True, as I sit here all I can remember of Zig Zag was their cover of "500 Miles" and "Brother, Don't You Walk Away" so I'm just making a blanket judgment based on an admittedly faulty memory. After all, before I sat down and revisited One Way Home I didn't remember much aside from the big songs - although I'd always thought of this as a stronger album than Nervous Night despite not having the killer hits. I know right, that makes no sense. Feelings, sigh.

There was something special about these guys and sadly One Way Home didn't perform nearly as well as it's double platinum predecessor. It would go gold which was something, but from there it was a steady spiral downward, at least from a commercial perspective.

back cover
Too bad. This was a smokin' album. I don't know if it was Eric Bazilian or John Lilly who handled the lead guitar duties on the album, but I've always loved the guitar work on those first few albums - so tasty. It wouldn't surprise me if it was Eric, the guy played pretty much everything but drums on the album. This isn't to sleep on the other creative in the band, Rob Hyman - Rob and Eric shared lead vocals, splitting the duties more or less down the middle. Their voices were remarkably similar (at least to me), and they often sang counter harmony to each other creating a blended vocal that gave them a lot of their sound.

One Way Home is a really solid album.

I think I'm going to have to pull out Zig Zag now and see what else I've missed.

Comments

Popular posts from this blog

6 Cylinder

As a kid we had one radio station, not counting CBC, and generally there was very little that was worth listening to, although there were times something would come on that would make you pay attention. It was 1979 and on a couple of occasions I heard "There Ain't Nobody Here But Us  Chickens" and it cracked me up, and I always wanted to get a copy for myself. A few years ago when my niece was dancing, they did a performance to this song, and now I can't separate my niece from a bunch of dancing chicks in chicken suits. Such is life. When I found this in the dollar bin I actually let out a little chirp, my goodness could it be? It was, and it was in great shape - including the inner sleeve.  Score. I had no idea what to expect, for all I knew there was only one song worth listening to, and if that was the case it was still a dollar well spent. If I could buy an album by Showdown and enjoy it, odds are I'll find something to enjoy here to. Before I put this on I...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Opus - Up and Down

I snatched this up when I found it. Up and Down was released in '84 the same year "Live is Life" was a worldwide hit. Polydor repackaged the album, dropped a couple of songs from the European release and tacked on "Live is Life" which for those of us over here was a pretty good idea. I also suspect they subbed out the studio version of "Flyin' High" as well. Despite their success much of the band's catalogue was never released in North America, and even now the band has a surprisingly small digital footprint on the streaming platforms. The album is really good, and the title track "Up and Down" that opens the album is really strong with Herwig's soaring vocals and Ewald's tasty fretwork. The whole album is full of pleasant soft rock with hints of AOR and some progressive overtones. Knowing there are songs out there that were left off it makes me wonder what they were like. The nine songs here, seven studio tracks and two live ...