Skip to main content

The Powder Blues - Uncut

The Powder Blues Band
The Powder Blues were a strange anomaly who seemed to come out of nowhere, and for a couple of years their boppin' rhythm & blues was right there alongside the skinny ties and rockers. Uncut was an album that was self financed, and initially released late in 1979 on the band's own indie label Blue Wave because everyone they shopped the record to would say the same thing, "No one wants to hear the blues, this won't sell." They had released the album and sent copies to radio stations. Some sources claim they sold upwards of 30,000 copies before the same labels who had passed on the band were vying to get their hands on the band. The album would be picked up by RCA and would re-issue the album, minus one track ... it was a cover, and I suppose it makes the original more valuable.

Uncut was (is) a really solid album. Songs like "Doin' it Right" and "Hear that Guitar Ring" were huge songs here, and the album would go on to sell a couple hundred thousand copies, a year later the band would drop their follow up Thirsty Ears an album that would sell a hundred thousand copies, and then a year after that the band would release their third album Party Line and no one seemed to notice. Musical tastes can be fickle. Back in the day I really liked the songs I heard on the radio, and it would be the mid '80s when I picked up Thirsty Ears, and while I enjoyed it, the songs just didn't seem to stick.

Anyways, I'm jumping around a bit, which is sort of how it is around here. I'll probably also screw around with tense as well. There'll be a few sentences in the past and a few in the present. I should try harder to be consistent but that seems like work. If nothing else it helps keep me on my toes, and you can at least be certain it's me writing this and not some auto generated AI blog.

It's not like I really have an audience anyway, oh I know I get a lot of hits but I often wonder if they're just bots ... still, if you're reading this you are persistent and I should at least try and reward the effort your putting in.

the band
Tom Lavin was a name I knew from Prism. Tom was on the first album, and although he'd leave, it was his name that I saw on the back cover, and I never forgot it. When "Doin' it Right" was a goofy song from the first time I heard it, but dang that guitar solo just ripped. The horns were gravy. Suddenly is was cool to like the blues, and right alongside April Wine and Gary Newman, The Powder Blues were on the radio.

Many years later when me and a couple of buddies were playing in a bar band and trying to build our set lists we were focused on finding unstoppable dance songs. It was our singer who had been around longer that we had suggested we cover "What've I've Been Drinking" because it never failed to light up a dance floor. We played it, and played it ... we kept it in our sets for a long time. It never lit up the dance floor. I suspect that was due to the clientele more than our delivery of the song, or the song itself. That song rocks.

back cover
Regardless, finding a copy of Uncut was a real treat. Other than the radio songs from my youth I had actually never had a chance to sit and listen to the record. Having the familiar and the new mixed together was a lot of fun, and I can hear why this felt so fresh and new at the time despite being firmly rooted in an earlier time. Tom Lavin's guitar playing was true to the genre, but he made the songs rock.

I suppose the novelty of hearing this kind of music on the radio was bound to be short lived, and although the band would seem to drop off the radar, they really never went away.


Comments

Popular posts from this blog

6 Cylinder

As a kid we had one radio station, not counting CBC, and generally there was very little that was worth listening to, although there were times something would come on that would make you pay attention. It was 1979 and on a couple of occasions I heard "There Ain't Nobody Here But Us  Chickens" and it cracked me up, and I always wanted to get a copy for myself. A few years ago when my niece was dancing, they did a performance to this song, and now I can't separate my niece from a bunch of dancing chicks in chicken suits. Such is life. When I found this in the dollar bin I actually let out a little chirp, my goodness could it be? It was, and it was in great shape - including the inner sleeve.  Score. I had no idea what to expect, for all I knew there was only one song worth listening to, and if that was the case it was still a dollar well spent. If I could buy an album by Showdown and enjoy it, odds are I'll find something to enjoy here to. Before I put this on I...

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure.  I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTOs Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) who knows maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust - it seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight ahead pop, or rock. It was leaning to the progressive, but with a pop bent. Oddly enough the vocals reminded me of Mi...

Hoodoo Gurus - Mars Needs Guitars!

The first time I got this album it was a gift from my old roommate Otto. For a goofy little nebbish he would occasionally surprise me with some left of field musical treasures. Although, I still think he was reaching a little when he brought home the new "Led Zeppelin" album by Kingdom Come and forced me to listen to "Get it On" over and over again.  I'd not listened to Mars Needs Guitars in a long, long, long time. The first thing that I jumped out at me was how David Faulkner's vocals reminded me of his fellow countryman Peter Garrett from Midnight Oil. I think the reason this never occurred to me was at the time I didn't have any Midnight Oil until Diesel and Dust in 1987. I'm not saying it was all the time, but there were a couple of songs where it stood out. Not a bad thing, just a thing. Even at the time this felt slightly out of step with what was going on in 1985. It seemed like everyone was using drum machines and synthesizers and having t...