Sigh.
I honestly didn't really know what to expect, but right out of the gate the album over delivered with the opening track "Tower" that was heavy on keyboard, big on guitars, and featured the soaring vocals of Frank DiMino, whose voice seemed like a blend of Rik Emmet and Geddy Lee, which isn't exactly right, but I'm trying to give a sense of how he sounded. Just saying he had a killer sense of pipes doesn't quite cut it. The band was firmly in the hard rock side of things, but were employing elements of prog that leaned more to the pop side of things that accentuated the songs rather than go off on long meandering tangents. The songs were grandiose and boy they sound good loud. Of course, if you're not into the big loud excess of the mid '70s this album will be about as pleasant as getting bamboo shoots shoved under your fingernails.The guys wore white satin suits and looked like a glam band, and I guess with their musical chops and penchant for going over the top they certainly made it seem like they were part of the genre, but this was just rock and roll ... then again, I'm not great at identifying genres so take whatever I say with a grain or three of salt.
Helluva Band picks up right where their debut left off, and the band was still comprised of
- Greg Giuffia on keys
- Barry Brandt on drums
- Frank DiMino on vocals
- Punky Meadows on guitar
- Mickey Jones of bass
I really enjoyed these albums, and while I'll admit that this era of '70s rock wasn't quite my jam there was more than enough here to bear repeated plays. I will say that of the two albums I was partial to the debut. Angel would drop an album a year until 1979, and then a live album in 1980 before the band ended their initial run.
It was fun having these on vinyl, and it's too bad my copy of Helluva Band was a little more well loved than I like (a couple of songs on side two sounded particularly crackly), but it happens. Still, if you're curious the box set Angel: The Casablanca years (2018) is out there to be streamed.
Comments
Post a Comment