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Men at Work - Business as Usual

Men at Work
Several months ago I wrote about the band's 1983 album Cargo and I mentioned that I loved the big hits on the album and was really disappointed with the album overall. I think my exact words were "I remember being profoundly disappointed in the record. Two killers, and filler. It's not an album I've heard in decades." Okay, those were my exact works, that's the nice thing about cut and pasting. I began to wonder if I had been carrying around a lot of unnecessary baggage with respect to the album. After all, this is an album that's sold in excess of 10 million copies world wide, and half a million of them right here in Canada. If it was shit people would have noticed. Wouldn't they?

As fate would have it a little while ago I found a copy in the dollar bin (sadly the store has since closed as their landlord decided they wanted to jack up the rent. Bad for them, bad for me ... but I was starting to run out of space) that was in decent shape. It was the white cover which still throws me off, as I remember really agonizing over whether or not to get the yellow or the white - I liked the yellow cover. The album cleaned up really well, and the first side was pristine. The second sadly had a small scratch that looked worse than it was, and the pop it generated was between songs ... bonus.

I still find it interesting my prevailing opinion before dropping the needle was still two killers, and filler ... simply based on reading the song titles. The album opens right off with "Who Can it Be Now" and it's still awesome. I will admit there was a time when the song felt overplayed, but with the passage of so much time it felt like an old friend. Then "I Can See it in Your Eyes" came on, and I'd forgotten how good this song was. I'm already being forced to revisit my long held assessment of the album. The first side was pretty good, and of course it didn't hurt that the two classics were on side one.

Flipping it over, the second side kicked off with "People Just Love to Play with Words" which was another one of those how did I not remember this song moments, it's a quirky song that got better with a couple spins. "Be Good Johnny" I did remember, and back in the day it was a song that didn't work for me, but it was catchy, and now it felt like a post card from an old friend. All of the songs were all enjoyable, and admittedly the wow factor generated by the two big songs wasn't present on all of the songs but it didn't mean they were throwaways either. The closing track "Down by the Sea" I remembered as soon as I heard it. It was an ambitious song, and honestly in terms of texture and mood is one of the best songs on the album. It's not a catchy single, it's a piece of music. It's so good. I suppose this is the definition of a deep cut, and being the last song didn't get any deeper.

back cover

I enjoyed this far more than I expected, which was a surprise. No doubt in a little while, given my impaired sense of object permanence I'll go back to thinking of Men at Work as a great singles band, which is sort of business as usual for me (I'm sorry, but I really wanted to work that in somewhere).

I'll just make a note to myself, that this was actually a really good album.

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