Skip to main content

Robert Palmer - Clues

Robert Palmer
I remember this album, or at least the two songs I most closely associated with the album: "Looking For Clues" and "Johnny and Mary." The first was quirky and the second was very new wave. I love the second, and was perplexed by the first. Over the years Robert Palmer would come to exude cool, but to me he would forever be the geeky guy holding up a magnifying glass who was looking for clues. Of course that's not entirely accurate either. 

When I found a copy of Clues I was pretty stoked to go back and hear what was going on back in 1980. The album opens with "Looking for Clues" and it's hard to imagine that it's been over four decades since the song came out. It's still so good. Chris Frantz from Talking Heads played bass drum on the track. The next song "Sulky Girl" was a straight ahead rock song in the same sort of vein as "Bad Case of Loving You" which sort of made sense, and I suspect this is what people were expecting. "Johnny and Mary" followed and was back in the new wave arena, and remains of my favourite Robert Palmer tracks ever. There's just a swagger and groove to the song. The first side closes out with another new wave track "What Do You Care" that must have felt like the future of pop music at the time. It's pretty cool, and this was cutting edge stuff. Then just like that the first side was over. Man that went by fast, hardly fifteen minutes. Oh well, it was good.

Time to flip it over.

Side two opens with a droning keyboard and a unemotional vocal delivery. "I Dream of Wires" was written by Gary Numan, and featured him on keyboards as well. The song is really cool, and I have always loved this era of early techno as it was equal parts organic and synthetic. It's got a foot in each world, and for me this stuff never feels old. "Woke Up Laughing" is a strange song that is almost hypnotic as it just seems to stay in one mode and never seems to create any tension or resolve, but is strangely appealing nonetheless before abruptly being cut off as "Not a Second Time" just seems to be dropped in out of nowhere. This was an old Beatles track, and honestly not to piss on the Beatles, but Palmer's version is really uninspired. It's the only song that felt like filler. The album closes out with "Found You Now" that was co-written with Gary Numan, however, unlike "I Dream if Wires" the song didn't seem to connect, and unlike the meandering quality of "Woke Up Laughing" there wasn't any here that drew me in. 

back cover
Then it was over. Eight songs and hardly half an hour. However, when it was good it was really good but somehow aside from a few highlights, and a particularly good first side, the impression I'm left with is rather uninspired. With such a short album I guess the goal was to leave 'em wanting more. Sadly for me I was just left wondering, "Is that it?"

Comments

Popular posts from this blog

6 Cylinder

As a kid we had one radio station, not counting CBC, and generally there was very little that was worth listening to, although there were times something would come on that would make you pay attention. It was 1979 and on a couple of occasions I heard "There Ain't Nobody Here But Us  Chickens" and it cracked me up, and I always wanted to get a copy for myself. A few years ago when my niece was dancing, they did a performance to this song, and now I can't separate my niece from a bunch of dancing chicks in chicken suits. Such is life. When I found this in the dollar bin I actually let out a little chirp, my goodness could it be? It was, and it was in great shape - including the inner sleeve.  Score. I had no idea what to expect, for all I knew there was only one song worth listening to, and if that was the case it was still a dollar well spent. If I could buy an album by Showdown and enjoy it, odds are I'll find something to enjoy here to. Before I put this on I...

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure.  I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTOs Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) who knows maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust - it seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight ahead pop, or rock. It was leaning to the progressive, but with a pop bent. Oddly enough the vocals reminded me of Mi...

Hoodoo Gurus - Mars Needs Guitars!

The first time I got this album it was a gift from my old roommate Otto. For a goofy little nebbish he would occasionally surprise me with some left of field musical treasures. Although, I still think he was reaching a little when he brought home the new "Led Zeppelin" album by Kingdom Come and forced me to listen to "Get it On" over and over again.  I'd not listened to Mars Needs Guitars in a long, long, long time. The first thing that I jumped out at me was how David Faulkner's vocals reminded me of his fellow countryman Peter Garrett from Midnight Oil. I think the reason this never occurred to me was at the time I didn't have any Midnight Oil until Diesel and Dust in 1987. I'm not saying it was all the time, but there were a couple of songs where it stood out. Not a bad thing, just a thing. Even at the time this felt slightly out of step with what was going on in 1985. It seemed like everyone was using drum machines and synthesizers and having t...