Skip to main content

Chilliwack - Opus X

Opus X
Opus X was a pretty big deal here in Canada when this came out in '82. While Chilliwack had been around for over a decade and was Bill Henderson's band oddly it was as a power trio that the band had it's greatest commercial success. Starting with Wanna Be a Star in 1981 that featured that most irritating and oddly really cool "My Girl (Gone, Gone, Gone)" the band had hoped to capitalize and really break into the lucrative US market. The single would crack the Billboard top 40 peaking at number 22. Opus X a year later was suppose to drive the wedge in even further. 

You know what they say about the best laid plans of mice and men. I could tell you more about the rabbits, but I really should try and stay on topic. While the lead single "Whatcha Gonna Do" did really well here at home, it didn't perform as well as hoped in the US market, stalling literally just outside the top 40 at 41.

The album was a big hit here, selling over 100,000 copies, and Bill Henderson and Brian MacLeod would receive the Producer of the Year Juno at the 1983 awards ceremony for their work on the singles "Whatcha Gonna Do" and "Secret Information" which were the first two songs on the album. The songs, all of them - not just the first two, were just that nearly perfect balance between hard rock with Brian's drumming and killer guitar work and Bill's voice. Of course Ab Bryant ably filled in the bottom end, and the songs were fat. It was a deceptively hard rocking album, and I'm sure there were discussions internally about the direction the music was going. It's not like Bill couldn't sing a rock song, he nails the balls to the wall vocals required to carry a song like "Don't It Make You Feel Good" which almost borders on what would evolve into hair metal.

Ab, Bill and Brian
I never had this when it came out (I didn't really know much other than the songs I heard on the radio) and didn't get it until 1984, shortly after Segue came out and just before Bill's underrated Look In Look Out came out. Don't ask how come I remember this, it's just one of those things. Oddly I do remember enjoying this quite a bit when I got it. There weren't any dead spots, and the songs were all so good. 

The second side in particular seemed to just blow off the doors. It's like the pretty singles were on side one, and side two all bets were off. Of course with only nine songs on the album you know one side was going to be down a song, so to make up for it they added more volume. More to the point, one could make the argument that with the yin and yang push and pull between Bill and Brian the album more or less was split into Bill on one side, and Brian on the other. It wasn't necessarily oil and water but the harder elements were falling more into what The Headpins were carving out. Both Opus X and Headpin's debut were huge hits here, and after picking up their Junos, Brian and Ab would leave to Chilliwack in 1983 to focus on their new venture.

The album still holds up remarkably well. Much more than I remember it, and while I'm sure the hardcore fans who'd been along since the beginning may have had a hard time reconciling the harder rocking songs as being from the same band who had released "Rain-O" in the early '70s. Over the year's I have picked up a lot of their albums, not all, and the common thread woven through most of what I have heard, is a lack of consistency. The hit and miss nature of the songs on any given album (I'm not saying they weren't enjoyable) kept them from being a really big deal. Heck, even the album that preceded this one was hit and miss and it's the one that had their biggest hit ... Opus X has the distinction, at least for me, as being all killer no filler. Heck, even the band's blatant attempt to replicate "My Girl" by reworking it presenting it as "She Don't Know" was really good.

back cover
Bill Henderson, who was always the nucleus of Chilliwack would regroup, after a fashion, and release Look in Look Out with studio musicians. It would also be the last album of new material the band would release. Headpins would release three albums between '82 and '85 and then they too were done.

Opus X remains a fantastic album.



Comments

Popular posts from this blog

6 Cylinder

As a kid we had one radio station, not counting CBC, and generally there was very little that was worth listening to, although there were times something would come on that would make you pay attention. It was 1979 and on a couple of occasions I heard "There Ain't Nobody Here But Us  Chickens" and it cracked me up, and I always wanted to get a copy for myself. A few years ago when my niece was dancing, they did a performance to this song, and now I can't separate my niece from a bunch of dancing chicks in chicken suits. Such is life. When I found this in the dollar bin I actually let out a little chirp, my goodness could it be? It was, and it was in great shape - including the inner sleeve.  Score. I had no idea what to expect, for all I knew there was only one song worth listening to, and if that was the case it was still a dollar well spent. If I could buy an album by Showdown and enjoy it, odds are I'll find something to enjoy here to. Before I put this on I...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure.  I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTOs Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) who knows maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust - it seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight ahead pop, or rock. It was leaning to the progressive, but with a pop bent. Oddly enough the vocals reminded me of Mi...