Skip to main content

T Bone Burnett - T Bone Burnett

T Bone Burnett
I bought this on CD when this came out. Back in '86 this was a really strange album and for me, it was almost a country album (I didn't know what Americana was), and it fitted in right alongside all of the rock that was filling up my shelves. T Bone Burnett for whatever reason had a special place for me, he was his own genre. Going back to Trap Door and Truth Decay, I was expecting quirky, roots oriented music, but with this self titled effort Mr. Burnett took it up another level, stripping things down to the bare essentials. The album was recorded live to two track analog and two track digital June 24, 25, 26 and July 15, 1986. It is an amazing album, and when I found it on vinyl I figured, "Oh why not?"

This was the first time I'd really been exposed to the stellar dobro and lap steel work of Jerry Douglas. It's really a shame that the instrumental version of "I Remember" isn't on the record, as to me it was the centrepiece of the album, and I'd always pair it with the vocal version. It's a breathtaking combination. I know his vocal performance could be construed as a whiny warble, but my goodness, it just cut to the bone and was so emotionally raw.

credits and the like
I've not listened to this for a long time, and it's been like revisiting an old friend. Over the intervening decades I've accumulated more knowledge about Mr. Burnett. I like that his inner circle is consistent. David Miner, who had played on The Alpha Band records, produced the record, and while many of the songs were written by T Bone, David Mansfield and Billy Swan wrote a song, as did Bob Neuwirth (still probably best remembered as the co-writer of Janis Joplin's hit song "Mercedes Benz" among his many accomplishments).

There are some real standouts among the ten songs presented on the record. From the opening tracks, "River of Love" and "No Love at All," to the mesmerizing "I Remember," which is still my favourite song on the album, followed by T Bone's cover of Tom Waits' "Time," these songs make this such a great listen.

The only complaint I have, and it's more a shot at the early choices made by labels to push CD sales, is that the album is three songs shorter than its smaller counterpart. True, two of the "bonus" songs were instrumental, but one of them was so integral to the continuity of the album that the record feels truncated by its absence. "Song to a Dead Man" was a song I always really liked, and it feels weird that it's not here.

back cover
Oh well, shit happens and I have the CD, and now I have the record, and if you stream it you'll get it all. Winner winner chicken dinner.


Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and it was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the '90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984, my (dearly departed and greatly missed) buddy Dave let me borrow his cassette copy, which included a bonus track of "Get It On (Bang A Gong)." When I eventually bought the album, I didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read, just go back and skim it. I'm sure you'll get the gist. I'd find out later Billy was an off-and-on-again member of Nazareth and wrote some absolutely killer songs for them. At the time, though, all I knew was this guy laid it out cold with the opening cut, "Baby Come Back," then proceeded to lay down one killer tune after another bef...

Styx - Paradise Theater

Styx was hands down one of my favourite bands as a kid. They were a strange band, even back then. They were a hard rock band, almost progressive at times, who had a penchant for sucky ballads. I know there's a tendency for people to zero in on "Babe" as the song that killed the band's credibility. The roots go way back to almost the beginning when Styx released "Lady" on their second album. It showed a side to the band that needed to be kept in check, and for the most part the band kept things on a pretty tight leash. The band had been setting a gruelling pace, releasing an album a year (two in 1972) and by the time they released Paradise Theater (if I end up writing theatre later it's because that's how we spell it here) in 1981 they'd dropped ten albums in less than a decade. I snapped this up as soon as I saw it, and it became a fixture on my turntable. Like the band had announced on "Borrowed Time" from 1979's Cornerstone , ...

Lighthouse - Sunny Days

Bin diving at my local record store where there were more than a few choices to make. After picking out a half dozen treasures, I figured I'd stop looking and leave before I caused myself trouble at home. Lighthouse was one of those ridiculously large bands in the early 70s I didn't understand. I mean really, BTO was just four guys, The James Gang was three, until they weren't, what in the world do you do with a dozen guys in a band? Of course I had a radio — it was the first significant purchase I made with my money from cutting lawns. I think at the time it cost about 35 bucks, and had FM and other high frequency things I never got to use living out in the suburbs away from the reach of the big city FM signal. "Sunny Days" was a great song. I remember thinking it was cool and didn't switch to the other AM station when it came on. A few years later, when I got my first record player, the obligatory K-Tel anthologies would feature a myriad of cut up and edited...