Skip to main content

St. Elmo's Fire Original Motion Picture Soundtrack

St. Elmo's Fire
It's hard to imagine now, but this movie was sort of a biggish deal. Following The Breakfast Club a few months later St. Elmo's Fire hit the threatres. The cast was a hodgepodge of members of the so called Brat Pack, and both movies were produced by a guy named Ned Tanen who was behind some pretty impressive movies. The Breakfast Club is a coming of age classic now, whereas St. Elmo's Fire is mostly a forgotten misfire that was surprisingly popular when it was released. I'll admit that I took my girlfriend at the time to see it. It was a bit weird seeing many of the kids who a few months earlier were in detention playing a more age appropriate role. In many ways it was a foreshadowing of Friends, except this wasn't funny or all that good.

However, there was the soundtrack. David Foster was all over this, and it's a sort of mixed bag of horseshoes. I happen to like David Foster, but there are times his style of music, keyboard sound choices, and layers of syrupy gooey sweetness can be a little hard to take.

First the good, and boy howdy there was some good. "St. Elmo's Fire (Man in Motion)" written by Foster and John Parr is an exceptional song. The song was inspired by and used by Rick Hansen as the theme for his Man in Motion Tour as he crossed the globe in his wheelchair raising money and awareness for spinal chord injuries. I've always liked John Parr, and this is the emotional centre of the entire album. The other big song here was the instrumental "Love Theme from St. Elmo's Fire" which is pure Foster Frosting. The video featured Rob Lowe reprising his role by pretending to play saxophone. I still like the song.

From there it's a straight shot to the bottom. Which surprised me. When I first picked up the record I remember thinking, "Billy Squier!" Yeah, I'll admit I was stoked. Foster could rock when he wanted to, and "Shake Down" is Foster wearing his rock and roll hat but the song just clunks around and never really resolves into anything worthwhile. Which made me sad. I still want to like it after all these years.

The one song that really popped for me was the paint by numbers ballad "Young and Innocent" that was attributed to Elefante, which was John and Dino Elefante. John had spent a few years with Kansas and they were starting make a name for themselves as producers. I'm still a sucker for John's voice. When this came out I was convinced there must be an album out there by Elefante and I looked and looked ... of course there wasn't an album out there. Man, what should have been, never was.

I'll admit there's a certain charm to the Jon Anderson track, but sort of like the Billy Squier song it never really does much. Then there was "Saved My Life" by Fee Waybill, a track from his Read My Lips album and it's frankly one of the last songs I'd have picked from that album. It's an okay but meaningless track that puts in a good effort but was never really much to write about. Which is why I only wrote one sentence.

Aside from the instrumental love them that opens side two, this is a perfect example of what filler sounds like. Heck it goes from one from schlock filled song to another. Heck even the song by Airplay, Foster's short lived collaboration with guitarist Jay Graydon is meh. 

Now the album's closer is possibly a matter of taste. The non instrumental version of "Love Theme from St. Elmo's Fire (Just for a Moment)" may actually work for some ... for me it was one of those "Holy shit, he saved the worst for last" experiences. It's the last thing I get to hear before this ends. Way to go out with a flush.

back cover
Now, you may be thinking, "Hey, tell us what you really think?" I'm trying to be nice. The kicker though is I still think of this as an enjoyable album. The moments that work, really work. This album contributed a few songs to a lot of mix tapes back in '85 through a lot of '86. Go figure. As an album experience it's a bit harder, but I often just pick up the needle after the first song ends on side two. Something I'd forgotten until I played the album for the first time in a few decades.

The things we did when we were young, that we do to ourselves when we're old and should know better.

Comments

Popular posts from this blog

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure.  I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTOs Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) who knows maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust - it seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight ahead pop, or rock. It was leaning to the progressive, but with a pop bent. Oddly enough the vocals reminded me of Mi...

Hoodoo Gurus - Mars Needs Guitars!

The first time I got this album it was a gift from my old roommate Otto. For a goofy little nebbish he would occasionally surprise me with some left of field musical treasures. Although, I still think he was reaching a little when he brought home the new "Led Zeppelin" album by Kingdom Come and forced me to listen to "Get it On" over and over again.  I'd not listened to Mars Needs Guitars in a long, long, long time. The first thing that I jumped out at me was how David Faulkner's vocals reminded me of his fellow countryman Peter Garrett from Midnight Oil. I think the reason this never occurred to me was at the time I didn't have any Midnight Oil until Diesel and Dust in 1987. I'm not saying it was all the time, but there were a couple of songs where it stood out. Not a bad thing, just a thing. Even at the time this felt slightly out of step with what was going on in 1985. It seemed like everyone was using drum machines and synthesizers and having t...

Saturday Night Fever - The Original Movie Soundtrack

It was going to happen sooner or later. Nostalgia is a cruel Mistress...she can dull the sharpest edges and over time can even soften the hardest of opinions. I found this in the dollar bin, and frankly at a dollar I was worried about what this would cost me. Not only from a monetary perspective, but my time, and more important my credibility. Fourteen year old me was screaming "Don't you dare. DON'T DO IT! Put it down. Walk away!" Then there was grey bearded me holding it and looking at it, thinking, "How bad could it be? I actually kind of like "Staying Alive" and me buying this record won't bring disco back, and no one will have to know I bought this." I pulled the album out of the bin, and carefully took out the records. They'd seen better days, and there were a couple of decent scratches that would no doubt make their presence known later. The jacket was in decent condition, and both of the albums had the original sleeves. I dusted the...