Skip to main content

Dwight Twilley Band - Sincerely

Dwight Twilley Band
My introduction to Dwight Twilley came back in '84 when I first heard the single "Girls" on the radio. It was one of those albums that I remember still remember fondly. There was no internet and finding anything out about people was hit and miss depending on what you could suss from RollingStone, and later on Spin Magazine was cool. Really the only way to figure shit out for the average Luddite like me was to just go to the record store and look. At the time I had no idea what the difference was between Dwight Twilley the band, and Dwight Twilley the solo artist. I just figured it was a phase. I did manage to pick up Scuba Divers, and honestly sitting here I can't remember anything about it.

Over the last year I'd picked up the two Phil Seymour albums, and I'd actually spent a fair bit of time listening to those, and I'd written up a slightly longer than usual bloggerity thing only to have a connection issue at some point where I save a blank page, and like my early horrific experiences with database programs, there was no undo. I'll revisit those again. In fact I was (use your Get Smart voice) this close to doing just that ... instead I found a copy of the Dwight Twilley Band's debut album Sincerely.

Why not go back to the source of it all?

So I did.

Now, I understand the difference between the band era, and the Twilley solo era. There was never supposed to be a Dwight Twilley Band. There was a duo called Oister, that was centred on the talents of Dwight Twilley who wrote the songs, played guitar and keyboards and sang. His partner was Phil Seymour who provided the rhythm section by playing drums and bass and he sang too. It may not have been a true partnership of equals, especially when one guy writes the songs, but by all accounts they were.

credits
The guys ended up getting signed to Shelter Records, where Denny Cordell who was one of the label's bigwigs decided to change the name of the band to emphasis Dwight and by default demote Phil. It didn't matter that on the back of the jacket the photo was of the two of them, and that Dwight and Phil's names were in larger print than Bill Pitcock and Johnny Johnson. This is how the seeds of discontent are sewn. Of course, I'm extrapolating a lot from little tidbits that are out there, but it makes sense. However, it is interesting to see that it is Oister that is credited for production. At least on the copy I have. Apparently this would be corrected later, but it's a nice little wink and a nod to what should have been.

I have to remind myself this was released in '76 as this sounds so good still. That sweet jingle jangle power pop is so good. The album opens with "I'm on Fire" a song that was recorded and released as a single a year or so before the album came out. Apparently it cracked the top 20 for one week in August of 1975. It's bad that first blush of success didn't translate over to the release of Sincerely. Such is life, but it must have sucked.

I know I've commented on the power pop elements, in songs like "I'm on Fire" and the deliciously awesome "You Were So Warm" but the guys were also big fans of rockabilly, and it would bleed into a number of songs from the uptempo "TV" to the almost Doo-wop structure of "Release Me."

The songs hold up remarkably well, and it's a little bittersweet listening to this knowing that neither Dwight or Phil would ever really catch a break. It's not like they didn't deliver the goods. It seemed like what ever label they were on would fold, or not know what to do with them. Phil Seymour would release a pair of albums in the early '80s and then more or less fade out of the limelight before succumbing to lymphoma in 1993 at the age of 41. Dwight himself despite having a bit of a career resurgence with Jungle his second release for EMI, one of the big labels with deep pockets. Dwight would leave and sign with a smaller indie and then more of less fade out of view as well. He'd pass away at the age of 72 in October of 2023.

back cover

To the vast majority of people the Dwight Twilley Band won't ring any bells, but thankfully there are pockets of people out there who remember both Dwight and Phil. While I may be more than a bit late to the party, I'm glad I got here.

Sincerely.


 


Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ...  It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continues to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner who had been with Gary from the beg...

Gary Wright - The Light of Smiles

Gary Wright followed up his double platinum release The Dreamweaver in 1977 with The Light of Smiles . It must have been a surprise and a bit of a disappointment when the album didn't perform as well as hoped. It did chart as high as 23 on the Billboard top LP and Tape chart according to what I read on the wiki, but it must have been more of a spike than anything. As the album didn't seem to attain any certifications that I could see. Not that it matters, I've said it before, and I'll likely say it again (more than once) most of my favourite albums never really attained any significant commercial success.  I'd seen this album over the years, but that was about it. Gary Wright was Mr. Dreamweaver and I'm sure somehow it was worked into his epitaph when he passed away a couple of years ago. For me I was really curious about this one, lately I've been a sucker for finding albums that follow a big release. For Gary Wright he was flying high after The Dreamweave...