Skip to main content

Goose Creek Symphony - Welcome to Goose Creek

Goose Creek Symphony
A shorter entry this time. I figured since I've done a couple entries featuring Goose Creek Symphony I didn't need to rehash a lot of stuff and repeat myself. 

After I'd streamed the band's debut I was intrigued by the alchemy of hippy dippy rock and roots so I set out to find their albums and in short order I'd picked up the four records they released in the '70s. I didn't listen to them in chronological order I initially skipped this one in favour of hearing Words of Earnest because that one had "Mercedes Benz" and "Guitars Pickin', Fiddles Playin'" the song my aunt told me about.

I was flipping through my records, and I realized I'd not listened to all of my Goose Creek Symphony albums. I was in the mood for something a little different and I had an image in my head about Welcome to Goose Creek would sound like, and ... I ... was ... wrong. 

back cover
It wasn't a bad surprise at all ... just not what I was expecting. The album was a ripsnortin' hootenanny that was more roots and bluegrass with a little rock and roll thrown in here and there, but mostly this was blue grass album. The lone song that heakened to their debut was the first cut on the second side, "The Corn Won't Grow, So Rock and Roll" and it's a scorcher and clocks in at over eight minutes, and then things settle down back into the blue grass vein. Sadly the album I found didn't have any credits, but it looks like Charles Gearheart wrote a good chunk of the music, with Paul Howard Spradlin writing a couple.

It's still a lot of fun and there are still enough hint of rock and roll to make this a little different than a typical bluegrass album.

Comments

Popular posts from this blog

6 Cylinder

As a kid we had one radio station, not counting CBC, and generally there was very little that was worth listening to, although there were times something would come on that would make you pay attention. It was 1979 and on a couple of occasions I heard "There Ain't Nobody Here But Us  Chickens" and it cracked me up, and I always wanted to get a copy for myself. A few years ago when my niece was dancing, they did a performance to this song, and now I can't separate my niece from a bunch of dancing chicks in chicken suits. Such is life. When I found this in the dollar bin I actually let out a little chirp, my goodness could it be? It was, and it was in great shape - including the inner sleeve.  Score. I had no idea what to expect, for all I knew there was only one song worth listening to, and if that was the case it was still a dollar well spent. If I could buy an album by Showdown and enjoy it, odds are I'll find something to enjoy here to. Before I put this on I...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Opus - Up and Down

I snatched this up when I found it. Up and Down was released in '84 the same year "Live is Life" was a worldwide hit. Polydor repackaged the album, dropped a couple of songs from the European release and tacked on "Live is Life" which for those of us over here was a pretty good idea. I also suspect they subbed out the studio version of "Flyin' High" as well. Despite their success much of the band's catalogue was never released in North America, and even now the band has a surprisingly small digital footprint on the streaming platforms. The album is really good, and the title track "Up and Down" that opens the album is really strong with Herwig's soaring vocals and Ewald's tasty fretwork. The whole album is full of pleasant soft rock with hints of AOR and some progressive overtones. Knowing there are songs out there that were left off it makes me wonder what they were like. The nine songs here, seven studio tracks and two live ...