Skip to main content

Santana - Abraxas

Abraxas
Santana is one of those odd bands that is a band but also a singular musician. The classic lineup of the band was cohesive and the fusion of their various identities was remarkable. As a kid I didn't know a lot about them. Their early work didn't really hit my radar, although over the years "Black Magic Woman / Gypsy Queen" and the infectious "Oye Como Va" were songs I really enjoyed. I knew that Gregg Rolie the keyboard player and singer in Journey had been in the band along with Neil Schon but that was about it.

For me the first song by Santana that caught my attention was "Winning" back in 1981 and I bought the 45 and then a year later the band hit it big with their rendition of Ian Thomas' "Hold On' that was a carbon copy of the original, except it had a great guitar solo. That was it. Santana was just a '70s band that had come and gone.

gatefold

In the late '80s I saw Carlos Santana open for The Grateful Dead in Tacoma and while he was a mesmerizing figure on stage, his set was instrumental, and at the time it felt overly long and he seemed to take an unnecessary encore. After he left the stage hundreds of microphones suddenly popped up like periscopes from previously submerged submarines in anticipation of The Dead hitting the stage.

Of course almost a decade later Santana (which referred to Carlos at this point) dropped Supernatural and suddenly he was back in the limelight and after thirty years he was relevant again. This was a pretty cool trick, and I have to admit I bought the album. Of course a high tide floats all of the boats in the harbour and suddenly the old stuff was more prominent on classic rock radio. I bought a best of CD and really enjoyed quite a few of the songs. Turns out the songs I liked best from the band's early years came from Abraxas.

poster of the band
I found this copy in a bin and the album looked pretty rough. Mostly dirty, but there was some serious rash on the second side. Oh well, I'd managed to get the album for free with the purchase of some of other stuff so it was worth taking a chance. I was surprised to see that the original poster was still intact which was pretty cool.

Side one, was almost pristine. Which was awesome as the first side featured two of the band's biggest songs, "Black Magic Woman / Gypsy Queen" and "Oye Como Va" and that whole side was so good.

Flipping it over the second side started out strong with "Se A Cabo" a blistering instrumental. The rash I was worried about could be heard near the end of "Mother's Daughter"and continued into the beginning of  "Samba Pa Ti" a song I remembered that was really good. The big surprise was still to come,  "Hope You're Feeling Better" another song written by Gregg Rolie who was a big part of the sound on Abraxas.

back cover
I know it's a bit pedestrian to say, but this to me is the one album a casual fan needs to hear. There's a reason this was the band that was recognized for the hall of fame. This WAS A BAND and the band on was on fire.

  • Carlos Santana - gutiar
  • Greg Rolie - keyboards, lead vocals
  • Michael Carabello - percussion
  • David Brown - bass
  • Chepito Areas - percussion, drums, trumpet
  • Michael Shrieve - drums

 

 


Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ...  It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continues to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner who had been with Gary from the beg...