Skip to main content

The Babys - Union Jacks

Union Jacks

Union Jacks fell in between the trio of albums I had by the band back in the day. My buddy Andrew, who I'd jam with back in high school, introduced me to some cool bands, notably Harlequin because he made me learn the guitar parts (as a fifteen year old I thought I got pretty close) to "You are the Light" and then we were farting around one afternoon and he was playing the lead riff to "Head First" by a band called The Babys. I thought it was really cool. It was probably not long after I picked up the album, and then when they dropped I'd snag Union Jacks and the band's last album On the Edge that came out in the fall of 1980.

It's been a while since I've listened to The Babys and it's a bit weird listening now. Jonathan Cain would join Journey and John Waite would manage to carve out a pretty decent solo career. Then in the late '80s while Journey was in limbo, Jonathan Cain, John Waite and Ricky Phillips would team up with Neil Schon and enlist drummer Deen Castronovo (who would also go on to play with Journey) to form Bad English. The band would release two albums, the first going platinum and their second was released in '91 just in time for their style of hard rock to be out of fashion.

For an album released in 1980 it still sounds remarkably fresh, although there are a couple of little nods to the skinny tie era in Jonathan's keyboards, particularly on the somewhat throwaway track "Jesus, Are You There?"

The Babys were anchored by Wally Stocker, a guitar player who didn't play a lot of flashy solos or throw in a lot of unnecessary notes to show off. The guy was a monstrous presence with his riffs and rhythm meshing with the songs to tie them together. I'm not sleeping on his lead work, it was tasty and I'm surprised that after The Babys he more or less maintained a low profile.

back cover
The songs on Union Jacks are all pretty serviceable, with the lead track "Back on My Feet Again" being the best song on the album for me. The Babys are probably more well known as being the band whose members went on to do other stuff, but there are still people out there who remember them for what they were ... and what they were was pretty bloody good mate.

Comments

Popular posts from this blog

Styx - Paradise Theater

Styx was hands down one of my favourite bands as a kid. They were a strange band, even back then. They were a hard rock band, almost progressive at times, who had a penchant for sucky ballads. I know there's a tendency for people to zero in on "Babe" as the song that killed the band's credibility. The roots go way back to almost the beginning when Styx released "Lady" on their second album. It showed a side to the band that needed to be kept in check, and for the most part the band kept things on a pretty tight leash. The band had been setting a gruelling pace, releasing an album a year (two in 1972) and by the time they released Paradise Theater (if I end up writing theatre later it's because that's how we spell it here) in 1981 they'd dropped ten albums in less than a decade. I snapped this up as soon as I saw it, and it became a fixture on my turntable. Like the band had announced on "Borrowed Time" from 1979's Cornerstone , ...

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and it was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the '90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984, my (dearly departed and greatly missed) buddy Dave let me borrow his cassette copy, which included a bonus track of "Get It On (Bang A Gong)." When I eventually bought the album, I didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read, just go back and skim it. I'm sure you'll get the gist. I'd find out later Billy was an off-and-on-again member of Nazareth and wrote some absolutely killer songs for them. At the time, though, all I knew was this guy laid it out cold with the opening cut, "Baby Come Back," then proceeded to lay down one killer tune after another bef...

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure. I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTO's Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) - so who knows, maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust. It seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight-ahead pop or rock. It was leaning toward the progressive, but with a pop bent. Oddly enough, the vocals rem...