I finally bought my copy well after the shine had worn off and the band had splintered into little pieces with the members trying their hands at being solo artists. Some with more success than others. As a kid I'd heard the album quite a few times. Heck I remember sitting in my friend's bedroom while the record played and that was probably around 1980 and us kids were still listening to the album. Aside from the title track I loved "Life in the Fast Lane" and to a lesser extent "Victim of Love" and to a much lesser extent "New Kid in Town" although time has served to soften any vitriol I once had for the song.
Listening to this now, I'm struck by "Wasted Time" and how it feels like a companion piece to "Desperado" except there's a quiet resignation and acceptance that life is about the journey. As I'd had this on CD I'd never really felt the impact of "Wasted Time" (Reprise)" as was merely a coda to the preceding song, but having it open side two allowed the song to serve as a connection to side one before the launching into "Victim of Love" the second song written by Don Felder and fleshed out Henley and Frey. Over the years the song took on added baggage through various documentaries and interviews as the song Don Felder wanted to sing and ended up being benched in favour of Don Henley's more gritty delivery. Now, I am all for team Felder, but seriously Henley is a singing drummer, and Felder is a guitar player who wants to sing. End of the day it was still sung by Don.The album itself still sounds amazing. It's one thing to get a great producer who can bring out the best in a band, but it's the engineer who quite literally sets the tone - to get both in Bill Szymczyk was a masterstroke. Putting all the pieces in place is one thing, having it catch on is another. There's something to be said for being in the right place at the right time. "Hotel California" is truly one of the greatest pop songs ever written, and sure there are some great songs here but is it really one of the greatest albums ever made?
Of course the record I managed to pick up at auction was in really good condition aside from a little bit of rash on the first side. That's right, "Hotel California" the one song that absolutely needed to be pristine had a couple of nice clicks and pops. Oh well, if anything it made it feel more vintage than it was actually distracting.
Nah, but it certainly is one of the goodest.
Except for the lone Randy Meisner song "Try and Love Again" I really liked all of the songs. It just seemed like he was trying to repeat the success of "Take it to the Limit" and it just felt off. Then again it's just my opinion which is worth exactly the same as yours if you happen to love it. For the record I like cilantro and it doesn't taste like soap at all. For Randy this ended up being his swan song and he'd leave the band.However, let's stay positive and I'll call out "The Last Resort" as my favourite album track. There's something about the song that just gets me in the feels. It may have the tempo of a ballad but it's a lament. It is a strange but awesome album. When I first played the record through and the familiar songs came on it felt like a visit from the past, but it was the deeper tracks that felt fresh and new. I was also struck by the feeling that while it was good was it really that good? I have albums that mean more to me but they're not nearly as well known. For whatever reason this album, and frankly the band in general resonated with the masses. Millions and millions of people were joined together through the songs of the Eagles, and for what it's worth that has to mean something.You could say that we all sort of checked in and never left.
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