Skip to main content

'Til Tuesday - Voices Carry

'Til Tuesday
Voices Carry was the debut album by 'Til Tuesday, and the the title track is one of the best songs to come out of the '80s. Of course I'm a wee bit biased. The band would only release three albums before calling it a day. Oddly the band's commercial trajectory was inverse to the quality of it's releases (at least that's how I remember it, I've not listened to them in decades). I really liked the followup Welcome Home, but I loved the band's final album Everything's Different Now - but by the time it was released people had moved on, and as time marched on "Til Tuesday was more or less relegated to one hit wonder status. Which was a shame. When Aimee started dropping solo records I picked them up as they came out, although I'll admit that after Lost in Space in 2002 my interest started to wane. I have yet to hear her last couple of albums.

I've gotten way ahead of myself.

When this dropped in '85 it was so fresh, and so different and so good. "Voices Carry" was the single that resonated, and it's really the only song I remember hearing on the radio and the video got a lot of airtime. The song obviously struck a chord and people wanted to hear more ... I wanted to hear more. The album would go gold in the US and in Canada. 

Aimee Mann is a ferocious bass player and her voice conveys so much emotion she could recite an eye charts and I'd get a lump in my throat. The bass is forward in the mix, and it's tight, crisp and hits you in the chest. A big part of the band's sound was grounded in Robert Holmes' ethereal guitar work. One could simply say he was simply extending the "Edge Effect" but let's be honest, U2 was certainly a big band, but The Joshua Tree was a couple of years out on the horizon. If anything I'd go out on a thin branch and say the architect a lot of '80s guitar players emulated, whether it's acknowledged or not, was the bespectacled Paul Reynolds from A Flock of Seagulls. This isn't to sleep on drummer Michael Hausman and keyboardist Joey Pesce. 'Til Tuesday was a band, and everyone was in sync and while Aimee was the face and voice they were a band.

back cover
It's funny, despite "Voices Carry"being the band's signature song, this was the album I tended to sleep on when thinking of the relatively short run 'Til Tuesday experienced. It's been a real treat going back and spending time getting reacquainted with the Voices Carry. This was so much better than I remember it being, and I always thought it was good, I'd forgotten how good.  

Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ...  It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continues to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner who had been with Gary from the beg...