Skip to main content

Robin Trower - Bridge of Sighs

Robin Trower
A while back I snagged a bunch of new albums in an auction. I didn't think I'd win them, I just thought it would be cool if I won, so I put in a low ball and forgot about it until I got a message telling me to come and get them. Among them was Robin Trower's Bridge of Sighs. I knew about Robin Trower but really hadn't heard anything. The closest I got was a cover version of "Bridge of Sighs" by Steve Lukather from his 2021 album I Found the Sun Again

Robin Trower was essentially a power trio comprised of Robin on guitar, with Reg Isidore on drums and James Dewar on bass and lead vocals. The guys weren't messing around with pretty pop songs, they were a rocking blues combo. Robin's blistering and tasteful guitar work was right up front, as was James' powerful voice. He sounded to me at least like a wicked blend of Paul Rodgers and David Clayton Thomas ... more Paul than Dave to be honest. All of this was enveloped by Reg's drumming ...  including, delightfully at times, COWBELL!

Now I'm not so much a blues guy as I am a riff rock guy and while the two are intertwined, Bridge of Sighs is full of big riffs and extended solos, but not at the expense of the songs or the groove. This is a collection of songs, and I wasn't expecting to be as engrossed as I was. It's tempting to go into a song by song breakdown, but I'm going to resist and keep this to the album.

If there's a complaint it's that this is too short. Four songs a side, and the whole thing runs under forty minutes. I know the goal is to leave people wanting more, but man this was unfair. Especially on those songs where the '70s penchant for fading songs was the flavour of the day. There were a couple of songs that just seemed to be getting a second wind when the fader started pull the volume down. This is especially evident on "The Fool and Me" that should have gone on for another couple of minutes.

The re-pressing I have came from 2014 which was the 40th anniversary of the album which I thought was cool. It's a 180gram pressing and it sounds amazing. Sadly there were no liner notes just a few sparse credits on the back cover. Bridge of Sighs was produced by Matthew Fisher, who was the keyboard player and Robin Trowers former bandmate in Procol Harum. I wonder how hard it was to not throw some keys on a couple of these songs. 

back cover
Here I am a decade later, and the album is now over 50 years old and it's still melting faces. Back in '74 the album would go gold, as would his next three albums. His gold run would come to an end in '77 but he'd chart into the top 40 in '78 and '80 which was around the time most of the '70s six string slingers fell out of favour. 

This was a delightful surprise and one that spent about a week on the turntable off and on. It'll see more light too now and again. This was so good. 

Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ...  It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continues to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner who had been with Gary from the beg...