Skip to main content

Robin Trower - Bridge of Sighs

Robin Trower
A while back I snagged a bunch of new albums in an auction. I didn't think I'd win them, I just thought it would be cool if I won, so I put in a low ball and forgot about it until I got a message telling me to come and get them. Among them was Robin Trower's Bridge of Sighs. I knew about Robin Trower but really hadn't heard anything. The closest I got was a cover version of "Bridge of Sighs" by Steve Lukather from his 2021 album I Found the Sun Again

Robin Trower was essentially a power trio comprised of Robin on guitar, with Reg Isidore on drums and James Dewar on bass and lead vocals. The guys weren't messing around with pretty pop songs, they were a rocking blues combo. Robin's blistering and tasteful guitar work was right up front, as was James' powerful voice. He sounded to me at least like a wicked blend of Paul Rodgers and David Clayton Thomas ... more Paul than Dave to be honest. All of this was enveloped by Reg's drumming ...  including, delightfully at times, COWBELL!

Now I'm not so much a blues guy as I am a riff rock guy and while the two are intertwined, Bridge of Sighs is full of big riffs and extended solos, but not at the expense of the songs or the groove. This is a collection of songs, and I wasn't expecting to be as engrossed as I was. It's tempting to go into a song by song breakdown, but I'm going to resist and keep this to the album.

If there's a complaint it's that this is too short. Four songs a side, and the whole thing runs under forty minutes. I know the goal is to leave people wanting more, but man this was unfair. Especially on those songs where the '70s penchant for fading songs was the flavour of the day. There were a couple of songs that just seemed to be getting a second wind when the fader started pull the volume down. This is especially evident on "The Fool and Me" that should have gone on for another couple of minutes.

The re-pressing I have came from 2014 which was the 40th anniversary of the album which I thought was cool. It's a 180gram pressing and it sounds amazing. Sadly there were no liner notes just a few sparse credits on the back cover. Bridge of Sighs was produced by Matthew Fisher, who was the keyboard player and Robin Trowers former bandmate in Procol Harum. I wonder how hard it was to not throw some keys on a couple of these songs. 

back cover
Here I am a decade later, and the album is now over 50 years old and it's still melting faces. Back in '74 the album would go gold, as would his next three albums. His gold run would come to an end in '77 but he'd chart into the top 40 in '78 and '80 which was around the time most of the '70s six string slingers fell out of favour. 

This was a delightful surprise and one that spent about a week on the turntable off and on. It'll see more light too now and again. This was so good. 

Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Styx - Paradise Theater

Styx was hands down one of my favourite bands as a kid. They were a strange band, even back then. They were a hard rock, almost progressive at times who had a penchant for sucky ballads. I know there's a tendency for people to zero in on "Babe" as the song that killed the band's credibility. The roots go way back to almost the beginning when Styx released "Lady" on their second album. It showed a side to the band that needed to be kept in check, and for the most part the band kept things on a pretty tight leash. The band had been setting a gruelling pace, releasing an album a year (two in 1972) and by the time they released Paradise Theater (if I end up writing theatre later it's because that's how we spell it here) in 1981 they'd dropped ten albums in less than a decade. I snapped this up as soon as I saw it, and it became a fixture on my turntable. Like the band had announced on "Borrowed Time" from 1979's Cornerstone , "Don...

Lighthouse - Sunny Days

Bin diving at my local record store where there were more than a few choices to make. After picking out a half dozen treasures, I figured I'd stop looking and leave before I caused myself trouble at home. Lighthouse was one of those ridiculously large bands in the early 70s I didn't understand. I mean really, BTO was just four guys, The James Gang was three, until they weren't, what in the world do you do with a dozen guys in a band? Of course I had a radio — it was the first significant purchase I made with my money from cutting lawns. I think at the time it cost about 35 bucks, and had FM and other high frequency things I never got to use living out in the suburbs away from the reach of the big city FM signal. "Sunny Days" was a great song. I remember thinking it was cool and didn't switch to the other AM station when it came on. A few years later, when I got my first record player, the obligatory K-Tel anthologies would feature a myriad of cut up and edited...