Skip to main content

David Gilmour - About Face

David Gilmour
Back in '84 both Roger Waters and David Gilmour put out solo albums. David's record dropped first and a month later Roger, who had enlisted Eric Clapton, released The Pros and Cons of Hitch Hiking. If people were expecting to settle the Waters / Gilmour debate, all the solo albums did was give the people little flags to plant in one camp or the other ... often both. I had both albums, and frankly I never really gave Roger's release more than a cursory listen ... although over the years it has grown on me. Over time both albums would be certified Gold by the RIAA in the states, but sales were nowhere near what Pink Floyd delivered - even The Final Cut went double platinum.

Roger wanted to be Roger, and David it seemed was trying to stay relevant. About Face spent a lot of time on my turntable back in '84. In hindsight a few of the songs on the album haven't aged that well, and even David himself stated that listening now the album has some great moments but it's too '80s for his current tastes. Fair. I'd go one further, it was an uneven album but the good stuff was so good that it didn't matter, and as far as I was concerned it absolutely crushed his '78 self titled solo album.

side a stuff
The good bits, and boy howdy they still resonate with me. "Murder" with Pino Palladino's fretless bass work and Jeff Porcaro's drums that usher in David's guitars is still awesome and this is still one of my favourite songs ever. "Out of the Blue" is probably the most Pink Floydesque song as it is textured with Michael Kamen's orchestral arrangements ... Mr. Kamen would work on both Roger's and David's solo albums. It's a wonderful song.

The slow mid-tempo burn "Cruise" is so good. The other is "Near the End" that closes out the album. While it isn't the best song on the album it's the best song on the album. I love the opening line:

And when you feel you're near the end
Will you just turn it over and start again

That was an easy one ... yes, more often than not I'd get up and start it again. What really put that song over the top was the guitar solo that he composed to play the song out ... I love a song that ends with a solo. The way David starts out with an acoustic guitar and then as the solo builds he slowly transitions to an electric guitar and it's honestly so subtle that unless you're paying attention it's a wicked bit of musical slight of hand. It doesn't hurt at all that the lead in track is a monster instrumental.

side b notes
There really aren't any clunkers, and depending on my mood "All Lovers are Deranged" puts a grin on my face, and other times it sounds like a muddy mess. I also really love the groove the band lays down on "You Know I'm Right" but there are sections in the song where it just seems to collapse under its own weight. All this tells me is that David was trying stuff and didn't feel restrained trying to colour within the lines of what could be perceived as Pink Floyd. In short this was still a solo record from a guy who seemed to be missing his old day job. It must have felt weird. 

I always thought it was strange that after this one it was literally radio silence for a few years from both Roger and David. It would be Roger who'd be first out in 1987 with Radio K.A.O.S. an album I loved at the time that has honestly aged poorly. It would be David would would return as Pink Floyd, enlisting Nick Mason (my CD only had a picture of David and Nick) and Richard Wright as well as producer Bob Ezrin. A Momentary Lapse of Reason would be a massive hit, selling over 10,000,000 albums worldwide.

back cover
I still really like so much of About Face, and if it sounds like an '80s album so what? HE RECORDED IT IN THE '80s! Who knows where David would have gone musically if he'd continued trying to plant his own little flag. I suspect the answer lies within the tracks of the post Waters Pink Floyd albums. 

At the time I always took the album's title to be a wink and a nod to the music direction David wanted to take after Pink Floyd ... now it doesn't hit me the same way and feels like he's giving the answer to what he's about to do after this solo record. 

 

 

Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ...  It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continues to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner who had been with Gary from the beg...

Gary Wright - The Light of Smiles

Gary Wright followed up his double platinum release The Dreamweaver in 1977 with The Light of Smiles . It must have been a surprise and a bit of a disappointment when the album didn't perform as well as hoped. It did chart as high as 23 on the Billboard top LP and Tape chart according to what I read on the wiki, but it must have been more of a spike than anything. As the album didn't seem to attain any certifications that I could see. Not that it matters, I've said it before, and I'll likely say it again (more than once) most of my favourite albums never really attained any significant commercial success.  I'd seen this album over the years, but that was about it. Gary Wright was Mr. Dreamweaver and I'm sure somehow it was worked into his epitaph when he passed away a couple of years ago. For me I was really curious about this one, lately I've been a sucker for finding albums that follow a big release. For Gary Wright he was flying high after The Dreamweave...