Skip to main content

Blind Faith - Blind Faith

Blind Faith
Blind Faith released one album in 1969 bringing together the talents of Eric Clapton, Steve Winwood, Ginger Baker and Rick Grech. This album was infamous when I was a kid because it had a topless young girl holding what looked like a chrome airplane. The photograph by Bob Seidemann was titled "Blind Faith" and it would end up being the name of the band and the album.

I never knew there was an alternate cover until I found this one in the dollar bin. I have to admit the cover had seen better days, but the lyric insert was still inside the jacket and the album itself ended up cleaning up quite nicely. All in all a win win.

Now I was just a wee lad when this came out, so my introduction to some of the songs would come many years later on radio when they'd have their '60s themed lunch hours, or the occasional oldie would crop up on rock radio. The song that seemed to get the most play was "Can't Find My Way Home" which is a brilliant song written by Steve Winwood. Of the six songs on the album Steve wrote half with Eric Clapton contributing "Presence of the Lord" with Ginger Baker getting the credit for the nearly sixteen minutes of self indulgent musical wanking that is "Do What You Like" that takes up most of the second side.

the included lyric sheet
One of the things that always bugged me about the songs was the quality of the recording. I don't know if this can be laid at the feet of producer Jimmy Miller. There's no engineer listed so it's hard to tell. It could also be my stereo ... or not. Having just shit on this I'm listening to this pretty loud and most of the album sounds pretty good, it's really only the mixing on "Presence of the Lord" where the vocals are buried and it sounds like Clapton is at the bottom of a well. The guitar work (is mixed way out front) of course makes up for everything and by the end all is forgiven, but man the sound could have been even better. As an aside the version I first heard of this song was by Larry Norman on his Streams Of White Light Into Darkened Corners from 1977. If you've not heard it I suspect it's on YouTube. This is a spectacular version and Jon Linn (probably the best guitar player you've never heard of) absolutely killed the solo and was faithful to the spirit of the song.

This is an album with one listenable side, and a second I suppose was really enjoyable with headphones and a lot of dope. In a way it's too bad the band didn't squeeze "Sea of Joy" onto side one, then the trippy hippy dippy shit would have been it's own little mini-adventure, and wouldn't derail the album. I suppose if you're in the mood it's fun, and I'll admit that when I play the record I almost always play both sides.

back cover
The album is what it is, and frankly when this was good it was extraordinary. Blind Faith was a one and done and it seems like for a while Clapton was stumbling about in the dark going from one group to the next as if he was searching for the elusive lost chord. 

I was trying to work in a Blind Faith zinger, but I got nothing. 

It happens.

They can't all be winners, although once in a while a win would be nice.

Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ...  It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continues to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner who had been with Gary from the beg...

Gary Wright - The Light of Smiles

Gary Wright followed up his double platinum release The Dreamweaver in 1977 with The Light of Smiles . It must have been a surprise and a bit of a disappointment when the album didn't perform as well as hoped. It did chart as high as 23 on the Billboard top LP and Tape chart according to what I read on the wiki, but it must have been more of a spike than anything. As the album didn't seem to attain any certifications that I could see. Not that it matters, I've said it before, and I'll likely say it again (more than once) most of my favourite albums never really attained any significant commercial success.  I'd seen this album over the years, but that was about it. Gary Wright was Mr. Dreamweaver and I'm sure somehow it was worked into his epitaph when he passed away a couple of years ago. For me I was really curious about this one, lately I've been a sucker for finding albums that follow a big release. For Gary Wright he was flying high after The Dreamweave...