Old Enough to Forget

I'm kind of surprised I didn't write about In Another Land earlier. I suspect this may be longer than it needs to be (likely a lot longer), sorry in advance but you should stick around anyway - it may be worth it. In terms of watershed albums this is right near the top of the most influential albums I have ever heard. The album was released in 1976 and a number of the older kids knew about him, but I was pretty clueless about Christian music. I was at a youth conference in '77 or '78 (things get fuzzy ) and the cool kids (who were likely four or five years older) were talking about an upcoming concert he was going to have in Vancouver, likely the Queen Elizabeth theatre but honestly the details are sketchy. The fact I remember anything at all is kind of amazing.  It was the youth group dances in the late '70s and early '80s where I first got a taste of his music. The big dance songs were "Why Should the Devil Have All the Good Music" and "The Roc...

Author's note: Written from a Canadian perspective where the band never really caught on after their one big hit. Unbeknownst to be I'd been aware of Madness for a long time ... one of the nerdy kids in high school who was very much into those bands who were part of the first round of  English new wave acts. He had a very large ghetto blaster and he'd always be by his locker blaring out music. Whereas most of us were into Prism, or Trooper or The Cars this guy loved The Buzzcocks, The Clash and Madness. I remember hearing "One Step Beyond" (and liking it) but had no idea who it was. When "Our House" broke over here, it was infectious. Most people in North America, of which I was one, had no idea the band had been around for years. They may have looked like a bunch of fresh faced kids but they'd been around for years by 1983. I find it strange that "Our House" managed to crack the top 10 in the US without an album behind. The Rise & Fall...

My friend Wes has a deceivingly sinister sense of humour. A couple of Christmases ago he'd come over for a rehearsal and instead of bringing beer he brought me a record saying it was an early Christmas present. It was wonderfully shiny, and there was a sticker on the cover saying this a factory sealed direct import from Germany. I thanked him and put the album in a place of prominence ... until he left, and then it went into the processing pile. It stayed there for a couple of years. I'd see it now and again and then shuffle it back into the pile. It's not like I had anything against James Last. As a kid there always seemed to be an advertisement on the T.V. pushing his latest Non Stop Dancing album. He always seemed to me to be the used car salesman equivalent of Lawrence Welk without the bubbles. This was party music for old people who wanted to be in with the kids. He was older than my parents, and my parents were out of step with music and it never occurred to me they ...

This is one of the albums I saved from a box of rather suspect records my mother in law found in the crawl space. It seems that no one was entirely sure of the origins of the box, but it was an eclectic mess of audible bric-a-brac. Mixed in with a very beat up Supremes double album (that couldn't be salvaged) were a few things that looked like fun. None more so than this Freddy Fender record. "Wasted Days & Wasted Nights" was a song I remembered, but the version on this collection likely dates back to the original 1959 recording. It's hard to tell as the credits are sketchy - well, non-existent. There's a certain charm to this one and it's rough and spotty in places but the bones of the song that he re-recorded to greater fanfare in 1975, the same year this collection was released by Pickwick, the king of budget opportunistic hits packages. I should have known it would sound like dogshit, especially with the little blurb on the top left on the back cover: ...

Equinox is by far the best album Styx released - by the original line up that is. It was the final record to feature John Curulewski before his departure ushered in the band's next phase with Tommy Shaw. When I started working my way backward through Styx’s catalogue, I always wondered what happened to John. On those early albums, I really enjoyed the guitar interplay between James Young and John (note, I know the drummer was John too, but when I say John I mean John the guitar guy). In fact, I found myself liking a few songs—especially the ones John sang—on the band’s second 1973 release, The Serpent Is Rising . If I’m being honest, my favourite was actually the hidden track, “Don’t Sit Down on the Plexiglas Toilet,” which Curulewski wrote. Apparently, the band hated The Serpent Is Rising , calling it one of the worst albums ever made. Ouch. I guess they forgot to listen to Man of Miracles . Anyway, back to Equinox and why it was such a great album. After four records on the sma...

Mashmakhan was one of those mysterious bands who was often referenced in articles related to April Wine. Drummer Jerry Mercer came from the band, and later incarnations would spit out guitarist Steve Lang and Brian Greenway (not at the same time) all of whom would land in April Wine and be part of the classic line up. This just added to the mystery. What was Mashmakhan?  I found a slightly beat up copy a while ago and I'd finally get my answer. The first clue should have been the hippy dippy trippy cover. The kaleidoscope image of the floating heads was a give away, but then again it was the '70s. I have friends who had family portraits that had superimposed images that looked similar so it was actually more normal than it seemed. The second clue, and one I was not aware of until I started reading up on the band was that a drug dealer in Montreal sold a variety of hash called mashmakhan. Yeah I'm sure the kids thought that was far out man. From the first track, this was ver...