Skip to main content

38 Special - Tour de Force

I was thinking about bands with two drummers (mainly because I'd just finished listening to Dickey Betts & Great Southern) and 38 Special popped to mind. It was them or Adam Ant, and at the moment (because, well, you never know) I don't have any Adam Ant. So it was 38 Special, and as I'd recently found a mint copy of Tour de Force I figured this was worth a spin and a reminisce.

My first introduction to the band was through a cassette copy of Wild-Eyed Southern Boys my little sister was given by someone she babysat for ... I think that's where it came from ... who knows maybe she stole it. As she didn't have a cassette player and I did, I "borrowed" it - forever (until I lost it). I seldom made it past the first song - "Hold on Loosely" blew my mind, and it didn't take long for me to get the triptych of releases from 1981 through 1983. Each album had something special, but honestly trying to remember any of the deeper album cuts eludes me, but when they were good they were spectacular - all of these albums were produced and engineered by Rodney Mills. The man had the golden touch.

38 Special also had a (not so) secret sauce and that was the guitar prowess of Jeff Carlisi who would structure mini songs within the songs. They would act as a counterpoint to the more straight ahead AOR that was born out of a southern rock tradition.

Tour de Force is somewhat misnamed, but it is a decent album with a few really bright spots. The band's two vocalists, Don Barnes and Donnie Van Zant worked really well together, although it was Don Barnes who fronted the big hits here, ""If I'd Been the One" and "Back Where You Belong" they are also the first two songs on the album and lead things off and after this it's pretty much standard fare - good songs but nothing that really stands out to that same level of awesomeness. Although I will say that "Twentieth Century Fox" gets close, as does "One of the Lonely Ones" that was written by Barnes, Van Zant and Larry Steele - it's a very good tune. The only real dud on the album is the odd "I Oughta Let Go" which is a strange. I'd forgotten how strange - not necessarily terrible, just out of place.

Gary O'Connor (Gary O') wrote "Back Where You Belong" and "One Time for Old Times" that was sung by Donnie. It's a nice song for all that, and would have been right at home on his 1984 release Strange Behaviour. Gary O should have had a better career ... too bad.

As to the two drummers, honestly I still can't figure out what this added to the band's sound - perhaps in a live environment it was the spectacle of having two drummers on stage. I can say from having seen The Grateful Dead years ago watching the interplay between Mikey Hart and Bill Kreutzmann was pretty dang cool so I guess the pairing of Jack Grondin and Steve Brookins was a something they wanted to have, rather than something they needed.

After this album the band take a few years before releasing Strength in Numbers in 1986, and that would be the last album I'd get of theirs back in the day. They're still kicking around but the sole remaining member from the classic era is Don Barnes.


Comments

Popular posts from this blog

Billy Rankin - Growin' Up Too Fast

Growin' Up Too Fast was never widely released on CD (if at all), and was one of the albums I really wanted to get back after a basement flood wiped out my vinyl collection in the 90s (when no one really gave a shit about records, and my insurance gave me a couple hundred bucks for an appraised $10,000 collection). Way back in 1984 my (dearly departed, and greatly missed) buddy Dave let me borrow his cassette copy that had a bonus track of " Get It On (Bang A Gong)" that when I bought the album didn't know it was a bonus track, or even what a bonus track was. If that sentence was hard to read just go back and skim it, I'm sure you'll get the gist. I'd find out later Billy was an off and on again member of Nazareth and wrote some absolutely killer songs for them. However, at the time all I knew was this guy laid it out cold with the first cut "Baby Come Back" and proceeded to lay down one killer tune after another and closed out the album (sans any...

Meat Loaf - Bat Out of Hell

File under: TLDR Note to the reader. First sorry, second not really, but I am sorry I don't have the ability to edit. Oh happy Valentine's day.  To celebrate let's take a gander at Meat Loaf's 1977 Bat Out of Hell. Over forty three million people disagree with me but for decades I thought this album was, and continues to be, one giant disappointment. I'll be the first to admit that despite decades of baggage the overwhelming power of nostalgia managed to erode even the hardest of convictions and I found that Bat Out of Hell was one of those albums I wanted to have in my collection, but I wasn't looking all that hard. It was an album I knew more about than I actually knew about. So at this moment in time I'm still holding firm on my long held opinion. But before I get into things, it's time for some meanderambling blurbage ... I remember seeing the cover when I was a kid and thinking it was the single greatest cover I had ever seen. What wonders were to b...

Gary Numan - The Pleasure Principle

"Cars" was really the only song I knew by Gary Numan. I knew the name of the album the song came from. Over the years bits and pieces of trivia are accumulated, but in terms of his music it was still distilled down to one song ...  It would be too easy to write Mr. Numan off as a one hit wonder, and I suppose in terms of actual chart hits this was his defining moment as a solo artist. Of course this really means nothing, as Gary Numan would drop an album a year pretty much through to the end of the '80s. He'd then slow down a little but continues to make music. While The Pleasure Principle was Gary Numan's debut solo release in '79, he actually cut his teeth on a couple of albums in a band called Tubeway Army, first with the band's self titled release in 1978, and then on Replicas that came out in April of '79. By the end of Tubeway Army's run most of the band would follow Gary into his solo career. Paul Gardiner who had been with Gary from the beg...